Taken from the remix album “GGP/RMX”. Album out May 7th 2021 : http://GoGoPenguin.lnk.to/RMX
“There’s a dark side to each of us. At some point we are on the precipice of having to choose whether to embrace it. But what is it like being on the border?” – Dlina Volny
“The Darkness That You Fear is a hopeful piece of music. When we found the combination of the different voices worked set to the flow of the music it made us feel optimistic, like it was something we wanted to share.” – Tom Rowlands
You’ve Got To Get Up Run For Your Life Now Baby Get Up Run For Your Life Now Get Up Run For Your Life Get Up Run For Your Life You’ve Got To Get Back Down To The Other Side There’s Nowhere To Run, There’s Nowhere Left To Hide No One’s Getting Out Alive You’re Gonna Run Or Die, Put The Love Aside Running Around, Running Out To The Wild Fools Killed Out Of Pride You’ve Got To Get Up Run For Your Life Now Baby Get Up Run For Your Life Now Get Up Run For Your Life Get Up Run For Your Life Turn Their Love Aside For Another Lie There’s No More Regret, What You Get Is To Divide Pushing Out To The Side You’ve Got To Get Back Down To The Other Side There’s Nowhere To Run, There’s No Where Left To Hide No One’s Getting Out Alive You’ve Got To Get Up Run For Your Life Now Baby Get Up Run For Your Life Now Get Up Run For Your Life Get Up Run For Your Life
„Created in an unforgiving year, “Work” became a refuge, a place to find solace from the outside world. The inescapable thump of Modeselektor’s “Extended” left me embodying mundane tasks so intensely that not only did these tasks become important but their original purpose was forgotten, the “doing” more significant than any result. I rediscovered the intention of simple tasks to create my reality without regard to any past. I structured “Work” in a way that asks the performer not to “perform”, but to drench themselves in a state of process. By fully embodying each task I find myself in a minefield of emotion. “Work” is an exorcism of boredom in both its creation and in its practice. One will undoubtedly reflect and feel different from before it all began…. again + again… from a lonely pew.“
Acclaimed U.S live electronic band Chromatics announce remix package for their classic single, Shadow. Featuring remixes from Maceo Plex, Dean Hurley, Melawati, Acorne and two new edits of the original version, Chromatics – Shadow (Remixes) is out now via Italians Do It Better.
A collection of remixes which takes the much-loved original in a new direction from the dancefloor to cinematic-sounding reworks, Shadow was originally released in 2015 and swiftly became one of the standout entries in Chromatics’ impressive discography. Picking up early and key industry support from the likes of Pitchfork, Shadow rose to fame in late 2016 when Chromatics performed the track in David Lynch’s cult tv series, Twin Peaks (Season 3). The band took to the stage at fictional venue, The Roadhouse and in turn catapulted the track to mainstream success.
Leading the remixes, Maceo Plex transforms Shadow into a euphoric dance floor production. One of the many avenues of his vast musical skill set, Maceo Plex is the figurehead behind the seminal underground label, Ellum Audio, and has released four studio albums, mix compilations for London’s fabric and !K7’s DJ-Kicks series, along with productions under his Mariel Ito and Maetrik aliases. Also curating several BBC Radio 1 Essential Mix’s and gracing the cover of many a magazine from Mixmag to DJ Mag, Maceo Plex has provided official remixes for artists including Coldcut, Röyksopp, GusGus, DJ T, Maribou State, Perry Farrell, Faithless, New Order and more.
With the release of today’s new remixes, Chromatics pay tribute and honour the death of Twin Peaks’ fictional character, Laura Palmer who was originally portrayed by Sherly Lee. Laura Palmer was found murdered at the age of seventeen, on the morning of February 24, 1989. An event that shook the small town of Twin Peaks to its core and prompted an investigation by protagonist and FBI agent, Dale Cooper.
The release of Shadow (Remixes) marks Chromatics’ entrance in 2021 with the full EP now available to purchase here.
Shadow (Maceo Plex Remix)
Saturday (Dean Hurley Remix)
Shadow (Melawati Remix)
Shadow (Michel’s Runway Edit)
Shadow (Last Dance Of The Night Club Edit)
Windswept (Acorne Remix)
Chromatics – Shadow (Remixes) – Out now via Italians Do It Better
The ”Eternal Return” is a debut single by ANIMA, aka Greek based musician / drummer / producer Giorgos Kosteletos. It’s a house -techno track inspired by Friedrich Nietzsche’s concept (also known as eternal recurrence). According this concept the universe and all existence and energy has been recurring, and will continue to recur, in a self-similar form an infinite number of times across infinite time or space.
Aparde’s new album, Alliance sees the German musician retreat from his recent experimentations with avant garde pop music back into the world of deep, and oftentimes dark, electronica. For his previous album, Hands Rest, Aparde ventured outside Berlin’s club scene through the use of his voice, which gave his music a softer and more intimate edge. Alliance is no less intimate, except this time the musician’s vulnerability seeps through the cracks rather than taking center stage.
As impressive sonically as it is technically, Aparde used a mixture of electronic sounds, analogue equipment and his own voice either as a sound element or lyrical component to explore this duality of sound. “This album was about focusing on something that calmed me down and brought me away from reality,” says Aparde. When the musician says ‘away from reality’, he doesn’t mean into dreamy, ethereal soundscapes, but rather a deep dive into dystopian atmospheres of drone sounds and chewed-up drum machines. Alliance’s second track, Allies has a dire beginning and one might even be tempted in skipping it if it weren’t for Aparde’s hushed voice shining through the shadows, melancholic yes, but also warm. Despite the album’s focus on electronic gear the music isn’t exactly dance-able, tracks have a ruminative pace, brooding even, “I wanted to make the tracks with more breathing space between the atmosphere and silence. There are fewer elements but more impact, I think,” says Aparde.
Things change gears toward the middle of Alliance, with both Lined and The Shift representing the colder, club-ier tracks of the album. For both of these tunes, any emotionality gets converted into a dense and thumping energy that is released in a cathartic fashion. It is, as Aparde describes, music “for you to move to when you have a good moment or a mental crisis”. But Aparde doesn’t leave it at that frequency; he closes off the album courageously by letting listeners in, once again, to his own world and emotions. While still a driving electronic track, Hole is framed around melancholic piano keys that bring the mood down, and prepare listeners for Know you, the album’s most intimate, and vulnerable piece. “I never felt alright,” Aparde admits open-heartedly on the track.
With Alliance, Aparde brings listeners deep into his soul, a soul that is at times conflicted and agitated and at times low-key and solemn. And as he does so, the listener’s own mood is muted and lifted in a journey of quest, dance and healing.