DJ Shadow has unveiled a new single, “Bergschrund,” from his forthcoming album ‘The Mountain Will Fall’ (Mass Appeal Records / June 24). The song is a pulsating, icy collaboration with Berlin-based musician, composer and producer Nils Frahm.
A North American tour in support of the new album has been announced for September and October including two nights each in LA (Sept 28+29/Teregram Ballroom) and NY (Oct 14+15, Music Hall of Williamsburg). See below for full tour dates. Tickets go on sale this Friday, June 10.
Says DJ Shadow on the “Bergschrund” collaboration: “Nils Frahm is an insanely smart composer. He created a sinewy, gated vintage synth line which I then expanded upon, hopefully to complimentary effect. Our track is called ‘Bergschrund,’ an obscure German word for a particular type of crevasse, or ice cliff, usually found on mountains at very high elevations.”
DJ Shadow will host three Beats 1 shows this year, the first of which will air June 23. The show will be called DJ Shadow Presents: #radioface. His BBC Essential Mix will debut on July 2 and he created a radio station for Pandora, the Producer’s Who Inspire Him Everyday: pdora.co/25IhBgI
‘The Mountain Will Fall’ is DJ Shadow’s first full-length release since 2011 and finds the groundbreaking artist shifting further toward original composition, experimentation, and live instrumentation.
For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home.
Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.
Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America.
There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees.
Following a screening as part of Nils’s Barbican Weekender on July 2nd, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.
Watch the official trailer:
Track teaser clips:
IN THE ARTISTS’ OWN WORDS:
Nils Frahm: “The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summers day in 2015. We managed to record all the crucial elements that day. The music fell into our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.
A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.
Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.”
Yoann Lemoine, aka Woodkid: “Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.
I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.
After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.
Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.”
Here’s a new video out for Chantal Acda‘s "We Must Hold On" featuring Nils Frahm, taken from her beautiful full-length "Let Your Hands Be My Guide" on Gizeh Records.