APPARAT, aka Sascha Ring, has announced details of a new album, LP5, launching with the first taste of what to expect from the Berlin based artist. LP5 is Apparat’s first release since 2013’s Krieg und Frieden (Music for Theatre), and follows two studio albums, II and III (Mute / Monkeytown) by Moderat, the trio he founded with Modeselektor’s Gernot Bronsert and Sebastian Szary.
Anymore – the first single from Goldfrapp’s brand new seventh studio album ‘Silver Eye’, released March 31st on Mute.
Arca has revealed ‘Vanity’, the latest song and accompanying video from his forthcoming album Mutant. Shot in Paris, the ‘Vanity’ video carries on the tradition and aesthetic of Mutant’s photography and videos so far and was again shot by Arca himself, this time with some help from Daniel Sannwald. It’s the third song to be released from the album, following previous tracks ‘Soichiro’ and ‘EN’.
Mutant is Arca’s second full-length album and the follow up to his highly acclaimed debut album Xen. Released on 20 November 2015 on Mute, the album will be available on CD, download and as a double LP, and again features artwork from long-time collaborator and friend Jesse Kanda.
Arca today also announces a rare New York DJ set. He will perform at PILLOWQUEEN: a Circuit Slumber Party with music by Shayne Oliver, Ashland Miles and Alejandro Ghersi hosted by Ian Isisah and special guests which will take place at Output on Thursday 3 December. For full ticket info head tohttp://outputclub.com
Meanwhile, Arca will join Benji B as special guest on his BBC Radio 1 show this week. The show will feature a full interview and exclusive tracks from Mutant, broadcast from 1am UK time on Thursday 12 November. Further information is available via http://www.bbc.co.uk/programmes/b06nn4z6.
Arca has today confirmed details of his second full-length album for Mute. Titled Mutant, the album will be released on 20 November 2015. It will be available on CD, download and as a double LP, and again features artwork from long-time collaborator and friend Jesse Kanda.
Watch the video for ‘EN’, directed by Arca, below:
Where Arca’s previous release Xen (2014) was introspective, Mutant is outwardly emboldened. Dedicated to and coloured by the important people in Arca’s life, Mutant illustrates the continuing mutations catalysed by loved ones: friends, family, acquaintances. Arca morphs for them and because of them. Both releases are contortionist shape-shifters, but where Xen asked us to meet her in her world, Mutant comes out to meet us in the light. Mutant is suggestively agape, embracing multiple sensualities with refreshing softness. Jesse Kanda’s organic cover art, luminous where Xen’s was shrouded, is a reflection of this.
In the artist’s words: ‘Mutant is about sensuality and impulsiveness as escape routes out of rigidity. Softness as a weapon when the mind attacks itself.’ Mutations in the records’ textures parallel the malleability of identity; tension is harmonised by openness and the inclusiveness of transformation. Pride is taken in deformity, innocence, distortion and vulnerability: traits often ostracised as undesirable. Themes that have animated Arca’s work – tension, polarities, playfulness, eroticism, mutability – have been refracted into newer, more nuanced shades. Fluctuation, in-betweenness, intimacy and chaos are celebrated.
The title track softens the space between abrasion and enlightenment, morphing from snarling aggression to elusive vapour, the atmosphere shifting at unexpected moments. Its impulsive video consists of an unchoreographed first and single take of Arca dancing. The attached self-portraits of Arca are comparably raw. ‘Anger’ is celebratory and carnival-esque, while ‘Faggot’ concludes with rhythmic allusions to the title track from Xen. The dripping sounds of ‘Umbilical’, fused with the title’s connotations of birth, clash with digital static. ‘Enveloped’ is a label suggestive of overwhelming but comforting containment, yet the track itself feels liberated, with warped strings crawling from the uniform rhythm in the piece’s latter moments. ‘Vanity’, ‘Snakes’ and ‘Soichiro’ are personal and intimate sweltering rainforests of sound. Buds open as tracks unfold, petals of the darkest reds and most vivid blues bloom. Deep roots of bass crawl through the earth beneath the record, anchoring each organism. The only essential consistency between the tracks is a refusal to sit still.
The constant liminality of Mutant is hard to pin down; something seen out of the corner of one’s eye that has moved elsewhere in the time it takes to bring it into focus.
Watch the video for Soichiro here.
Here’s the Andrew Weatherall remix of New Order’s ‘Restless’, taken from ‘Restless’ single package – released on Mute on 9 October. Restless is the first single from New Order’s new album, Music Complete, out now on Mute.
The package features an extended 12” Mix, and further remixes from xxxy, RAC & Agoria (already posted here). Pre-order here and get an instant download of Agoria remix here: http://po.st/NewOrderRemixBiTunes
The Agoria remix of ‘Restless’ is taken from ‘Restless’ single package – released on Mute on 9 October. Restless is the first single from New Order’s upcoming album, Music Complete out September 25th on Mute.
The Restless single package features an extended 12” Mix, and further remixes from xxxy, RAC & long-term collaborator Andrew Weatherall. Pre-order the bundle here and get an instant download of the Agoria remix. Pre-Order Music Complete & get an instant download of ‘Restless’: iTunes – po.st/NewOrderiTunes.
Zola Jesus releases an equally statuesque and frenetic performance in the brand new video for third single “Hunger” off the critically acclaimed album TAIGA, out now on Mute. Director Allie Avital Tsypin / BANGS says, “The video for ‘Hunger’ is essentially a sculpture project…an exploration of a life form: both raw and refined. A negotiation between form and inner life, movement and stillness, desire and satiation. Working with Nika is always an honest and satisfying collaboration…it was really fun to interpret the song and Nika’s aesthetic sensibilities through film.”
The “Hunger” video features a newly mixed version of the track by Zola Jesus bandmate Alex DeGroot and Mute founder Daniel Miller and will be available digitally b/w B-Side “Compass” on February 10th 2015.
On January 14th 2015, Arca gave an exclusive live performance to soundtrack Hood By Air’s show as special guests at the Pitti Uomo 87 fashion event in Florence, Italy. At the event, Arca performed a bespoke musical score titled ‘Sheep’ which featured eleven tracks of original Arca music. ‘Sheep’ is now available as a free download exclusively via Arca’s Soundcloud here.
‘Sheep (Hood By Air FW15)’ tracklist:
9. Don’t / Else
10. At Last I Am Free (interlude)
The performance and download follow the recent success of Arca’s debut album Xen, which was released in November 2014 on Mute to widespread acclaim. Xen was one of 2014’s defining debut records.
The Acid have unveiled their haunting video for new single Ghost. A visually arresting accompaniment of tumbling sand dunes, Californian sunrises and captivating plot twists culminating in an ending that will undoubtedly leave the viewer wanting more.
Directed by renowned duo Elliot Lee Hazel and Petecia Le Fawnhawk, the pair’s career within music stretches across many years and has seen them work respectively with the likes of Beck, Interpol and Band of Skulls to name but a few.
Commenting on their vision behind the Ghost video, co-director Le Fawnhawk said; “Originally the inspiration came from a story I heard about Ray Charles being a huge Corvette fan. My imagination took me into wonder of being born blind and the magic of discovering the world around you, people and experiences all through the sense of touch. I shared my idea with Eliot who immediately had an emotional connection, as his father was blind. We dove deeper into the idea and then presented the rough concept to The Acid boys.”
Shot in the picturesque Californian desert just outside the town of Baker, the pair drew further inspiration from Salvador Dali’s surrealist art to evoke a haunting yet serene atmosphere for the video.
Ghost is the third single to be taken from the bands debut album Liminal, released earlier this year via Infectious Music/Mute Records to widespread critical acclaim including the likes of NME, The Independent and DIY.
The Acid came together as a partnership between Brit Adam Freeland, L.A. producer Steve Nalepa and Ry X, an Australian songwriter. First appearing in 2013 with their debut self-titled EP, the group quickly followed up with the release of Liminal, a sonically drenched body of work with clear nods to artists such as Portishead, Aphex Twin and Thom Yorke, that crosses over a range of genres, which include everything from techno and R&B to deep house and beyond.
“Ghost” is the third single to be taken from the bands debut album Liminal, released earlier this year via Infectious Music/Mute Records in North America, to widespread critical acclaim including the likes of NME, The Independent and DIY.
With her take on Ghost, Maya injects a fresh shot of energy into the heavy and atmospheric sonic soundscape provided by The Acid, giving the track a head-nodding revamp, enabling the song to stand shoulder-to-shoulder with some of the freshest club dub plates around.
Maya Jane Coles is no stranger to the UK bass scene either, having spent the last eight years releasing a multitude of EP’s and albums, as well as stepping up on remix duties for the likes of The XX, Little Dragon and Bonobo to name a few.
The Acid came together as a partnership between Brit Adam Freeland, L.A. producer Steve Nalepa, and Ry Cuming, a.k.a. RY X, an Australian singer/songwriter. First appearing in 2013 with their debut self-titled EP, the group quickly followed up with the release of Liminal, a sonically drenched body of work with clear nods to artists such as Portishead, Aphex Twin and Thom Yorke, that crosses over a range of genres, which include everything from techno and R&B to deep house and beyond.
Maya Jane Coles’ re-work of Ghost is the first in a series of remixes around the track, which the band plan to unveil before the year is out.