A veteran in the world of minimal techno, Dominik Eulberg offers this upbeat and heady retake of Loffler’s track Refu.
Refu is a track from Löffler’s recently released and much anticipated album, Graal (Prologue). Both Löffler and Eulberg come from similar environments; two nature lovers who work secluded in the forests of Germany and who draw inspiration for their productions from the natural world.
Buy/Stream here: https://33r.pm/Gert
Fejká Announces New Album REUNION. The first single, Svanur, is out today, July 26th. Watch the beautiful accompanying video below, shot in Iceland. Fejká will also be joining German deep house producer Christian Löffler on an European tour in November.
Creating an album is a journey of self-knowledge through hindsight; putting together the tracks that will compose the oeuvre much like putting together a photo album. It involves looking back and undoubtedly reflecting over the memorable times that inspired each composition. That is definitely the case for Fejká, who released this year his album, Reunion. “The tracks on this album started to emerge from all different moments, feelings and mental states of my life during the last two years. They all have the same origin and purpose, to be fragments of my journey to find myself. Each song is a part of me,” says the German electronic music producer and visual artist.
Like with everything that involves hindsight, there is a great deal of nostalgia in the album – and it is the nature of nostalgia to be fluid. It can be at once sweet or melancholic, agitated or mellow, airy or heavy, but it nonetheless invokes in all its forms a sentimental longing for something. In Reunion, nostalgia is primarily given shape in dreamlike soundscapes, soft atmospheres that nonetheless evoke strong contemplative feelings. This longing is carefully unfolded in the album’s track Youth where a simple melody plays out over the sound of seagulls and develops effortlessly into a joyful tune. The track, informed by its title, invokes the candor and naivety of childhood, “The song is not trying to be cool, dreamy, dancy or anything, it’s just this carefree and lighthearted atmosphere.”
But to describe Fejká’s music only by its more delicate side would only be painting a part of the picture. Since his EP Twilight, the producer has been exploring sounds that are at once ethereal and dynamic, celestial but also very much grounded on the dancefloor. In a seamless way, Fejká crafts music that is equally suitable for introspective moods and wonders as it is for a club. But while ‘Twilight’ explored this duality between dreamlike atmospheres and dance music, Reunion seems to delve into a much vaster range of emotions and approaches, cementing the young producer’s eclecticism, “I think that I realized that life is too diverse to be only portrayed by one sound style,” explains Fejká,“It’s a collection of my life and the sum of all the ups and downs.”
Take the track Untold for instance, perhaps the most fast-tempo title of the album with it’s punctuated beats and repetitive melodies. Rather than it being just a dance tune, it is also a highly emotive and contemplative song which plays out like a riddle, provoking feelings of quest and curiosity, “It catches a mysterious atmosphere and plays with the power of the unknown. I really love music causing emotions which seem too complex to understand,” says Fejká. The track couldn’t be more different than the album’s opening title, Reunion, which moves slowly and carries an ethereal melody of melancholy and insight. Both songs nonetheless are equally compelling in conveying a feeling instantly and potently.
Another tool used on Reunion that hits hard on an emotional level, is the use of the voice, “It conveys a certain authenticity and truth, and builds a bridge in terms of emotionality for the listener. Experiencing an emotional medium through human voice triggers some deeply rooted evolutionary feelings,” explains Fejká. The strongest example of this sentimentality comes in the track Reunion for which friend and musician Marie Angerer contributed with haunting vocals, “For me, a female fragile voice is very special and outstanding in the universe of musical elements,” he says.
Putting together the album might have been a journey of self-knowledge, but creating its ten tracks was purely intuitive for Fejká, “While doing a song, I think you should just do it and not think about anything else,” he explains. “After finishing, you will start to realize what you have just created and try to find personal meaning.” Having a visceral creative process means that inspiration could hit at any time, anywhere. Drafting sketches became an important way in which Fejká would capture those revelations, “Sometimes I have ideas for melodies and lyrics, so I end up humming the melody awkwardly into my phone.” From then, Fejká would develop these sketches in his laptop – a basic setup which nonetheless permitted him to take his ideas far, “I only expand my set up when I really feel that I can’t produce what I want with my current equipment, otherwise, it will just overstress my mind and wallet.”
It is fair to say that Reunion is much more about feelings than it is about any technical element or craft. The strength of the album’s tracks is deeply tied to their ability to capture a mood, and convey it to the listener. Fejká has successfully been honing this ability since his last EP. In Reunion, the young producer moves the listener through his own personal emotive journey, through his own experiences, and at every track the listener feels closer and more at home with Fejká himself.
Pre-order Reunion here. Releases September 20, 2019 via Christian Loffler’s Ki Records.
2. Reunion (feat. Marie Angerer)
4. Svanur (feat. Rökurró)
8. Skye (feat. Marie Angerer)
Greek producer Hior (aka Hior Chronik) is back with a new EP, Neukölln, featuring 3 beautiful piano-based instrumental tracks. Out today on Ki Records. Stream in full below:
Electronic music producer and visual artist Christian Löffler premieres the video for new single “Ry” via ThisSongIsSick from his upcoming LP “Graal (Prologue),” out April 5th via Ki-Records. It follows the gorgeous animated video for “Like Water (feat Mohna)” out 2/13.
“Ry” follows a mysterious protagonist, running across a wide array of beautiful and uncanny places and landscapes across the globe; it’s a voyage of sight and sound. “Ry” begins with pulsating and pounding bass building to a mesmeric techno clap with sweeping reverb; it’s all about getting it higher and dropping it, adding soothing piano lines and arriving slowly to elation. While there are two sides to the track — one more immediate, one more “romantic” — Christian builds an alternative beat that makes it stick to the bones and that’s perfectly enhanced by the gorgeous visuals. By the end of it, the overlapping beat becomes a whisper as he adds irresistible strings that give it its transcendent emotional resonance and the runner arrives to the beach.
A visual artist and painter, Christian drew sketches for each song on “Graal (Prologue)”: the dry minimal techno for “Ry,” the floral and piercing “Bird,” the eerie “Like Water,” the romantic solitude on “Running,” the spectral and damp “Refu,” the sharp warp on “Graal”. He feeds his music with his art, drawings and paintings that help him express his creativity.
“Bird’ and ‘Refu’”have a nocturnal feel, perfect for eyes-closed introspection, and it’s no surprise to learn that two of them were conceived during late-night jam sessions in gardens underneath starry skies. Two tracks feature vocalists, both of which Löffler describes as happy accidents. “Like Water,”,featuring Mohna, was initially an instrumental piano piece, but was transformed by some vocal improvisations during a soundcheck for the Elbphilharmonie performance into atmospheric, spectral electro. Josephine Phillip, whose haunting Nordic voice warms the poignant “Running” was someone that Löffler had always hoped to record with and when their schedules finally aligned, he took full advantage.
Janus Rasmussen, one half of the critically acclaimed minimal techno duo KIASMOS releases his second pre-album single ‘Lilla’ on the 8th of March, ‘Lilla’ is taken from his upcoming debut solo album Vín which is set for release on the 29th of March via Christian Löffler’s Ki Records.
Leading up to the release of Vìn, Janus Rasmussen released the pre-album single, ‘Green Wine’ along with its accompanying shadow puppet music video on the 8th of February via one of the biggest culture and music sites in Brazil, Omelete.
Janus Rasmussen is not only part of Kiasmos, but also forms part of the electro-pop quartet Bloodgroup who has since become one of Iceland’s hottest musical exports.
Today, German electronic producer and visual artist Christian Löffler shares the sublime animated video for “Like Water (feat Mohna)” via Complex, the first single off the LP “Graal (Prologue)” out 4/5 on Ki-Records.
“Like Water (feat. Mohna) is chilling and spectral electronica. As the main character gazes at the ocean and the waves’ movements, cathartic and peaceful emotions emerge. Christian’s music takes us into the comfort of solitary metaphysical wandering. The video was directed by Magnus Lenneskog and Tezo Kyungdon Lee – the founders of the award-winning Tjoff Koong Studios who’ve led the animation on Wes Anderson’s film “Isle of Dogs” and are behind numerous Gorillaz videos.
Christian’s new LP “Graal (Prologue)”, out 4/5, oscillates between melancholic ambient minimal, euphoric neo-classical techno and downtempo psychedelic, and is a reflection of Christian’s frustration of not having the mental space at the time to create music, solely focusing on visual art instead – painting, drawing. Therefore the music unfolds like a painting. Drawing from his art gave him the freedom to create without restraints, and to “turn off my brain a bit, especially thoughts about what is possible or not”, he explains
“Graal (Prologue)” follows two well-received LP’s, “Mare” (2016) and “A Forest” (2012), both released on Ki-Records.
More US tour dates to be announced.
“Graal (Prologue)” Tracklist:
2. Running (feat Josephine Philip)
4. Like Water (feat Mohna)
Today, German electronic producer and visual artist Christian Löffler announces the release of his new LP “Graal (Prologue)” out 4/5 on Ki-Records and shares the first single “Like Water (feat Mohna)”.
“Like Water” was created while sound checking at the Elbphilharmonie. Mohna (the vocalist) was improvising and singing different melodies while playing piano. We played this track often with the ensemble, but never recorded it. The finished piece has completely changed from its initial acoustic version.” says Christian.
“Like Water” is chilling and spectral electronica, with Mohna’s crystallizing mellow voice taking us into the comfort of solitary metaphysical wandering. Löffler transforms the organic and serendipitous original version, performed in a traditional setting with classical instruments, into ambient electronic catharsis. The process allows him to build a sphere of unbridled emotions and spur an intimate romantic dialogue with listeners. Christian draws from his artistic contemplation, a sight inherently in motion, to seize feelings and movements in their active or static form, whether they be pure or conceptualized.
Created on the road (Löffler likens it to a travel diary), “Graal (Prologue)” oscillates between melancholic ambient minimal, euphoric neo-classical techno and downtempo psychedelic, and is a reflection of Christian’s frustration of not having the mental space at the time to create music, solely focusing on visual art instead – painting, drawing. Therefore the music unfolds like a painting, it is first an imagined aesthetic and not a question of possibilities. Drawing from his art gave him the freedom to create without restraints, and to “turn off my brain a bit, especially thoughts about what is possible or not”, he explains
“Graal (Prologue)” is a prelude to a second companion album to be released before the end of the year. With two distinctive parts and approaches, both records will have an organic dichotomy – while “Graal” was created on the road, the follow up will be a classic studio album, created in his home recording space and it will come illustrated with paintings. The record is named after the town he calls home – a windswept yet picturesque German outpost on the Baltic coast – and the rugged beauty and wonder of the area’s famed landscapes shines through the whole record. It comes illustrated with a series of Löffler’s hand drawn sketches, stark, monochromatic line drawings of people and places.
“Graal (Prologue)” follows two well-received LP’s, “Mare” (2016) and “A Forest” (2012), both released on Ki-Records.
More US tour dates to be announced.
‘Under any custody’ feat. Anna Maria Marjamäki is the first single from Greek producer/musician Hior Chronik’s upcoming album ‘Descent’, out soon on Ki Records. Pre-order here.
Filming by Belek Wunderlich – Alex Koch. Video Production by Hior
“Ghostlight (ft. Marie Angerer)” is the first single to be shared by electronic artist Fejká on the 23rd June. The single comes as a prelude to his debut EP “Twilight” which will be released by Christian Löffler’s label Ki Records on 14 July. Having previously supported Christian Löffler’s tours at Kowalski and Zoom, the new EP is an exciting new project for the young artist, and features collaborations with Icelandic singer-songwriter Hildur and German indie-pop and folk artist Marie Angerer.
Brian Zajak, aka Fejká began his musical career at the age of 17. Torn between the the dreamy soft atmosphere of ambient music, and the hard punchy vibe of techno, Fejká couldn’t decide which direction his music production would take. “Day/night, dream/dance, slow/fast – music was always split into two worlds for me” he says. Thus, he decided to experiment with both, showing the development process of dream music into dance music.
The EP’s first two songs, ‘Illumination’ and ‘Sunlight’ are dreamy downtempo tracks. They embody the emotions of waking up from a long night of restful sleep and slowly becoming aware of the world around you. The album concludes with ‘Moonlight’ and ‘Ghostlight (ft. Marie Angerer)’ which represent a certain state of hypnosis and trance brought on by nightfall. However, the key song and title track, ‘Twilight (ft. Hildur)’ is an amalgamation of both worlds, and is the bridge that merges the two contrasting genres of music embodied on this album. “My personal favourite, “Twilight (ft. Hildur)”, is a unique and rare combination of both worlds and really important for me because it perfectly describes my musical taste. It took me a long time to finish something like this, but I’m very happy to have found that one song, which combines everything to an absolute purity of musical perception.”.
Drawn to artists such as Essáy, HVOB, Stumbleine and Christian Löffler, the appeal of this EP lies in its varied influences, and ability to harness the best of two contrasting genres. Twilight takes the listener on a journey from day to night and Fejká effectively shows us the beauty of both worlds.
Says Fejká of the EP: “The atmosphere of ambient music was my pool of calmness and deep thoughts, something you can just chillout to and think about your life. On the other hand, when I had my first contact with techno music, I felt the unique vibe of it, the feeling how music can make your body move and forget about everything, the feeling of the crowd melting together in a big rain of ecstasis. I never wanted to make music which only appeals to a certain spectrum of mood or people, I’m always trying to achieve that one absolute sound, which is relatable to every situation in ones life, music you can dance and dream to at the same time.”
“Twilight” EP Tracklist:
03 Twilight (ft. Hildur)
05 Ghostlight (ft. Marie Angerer)