Icelandic electronic artist and founder of bbbbbb Recors, Bjarki announces his new album ‘Happy Earthday’ on !K7.
Along with a slew of international tour dates, Bjarki releases new track ‘( . )_( . )’ – available to stream below.
An expressive electronic album with the kind of positive, stirring resolve that leaves you feeling utterly comforted, Bjarki’s new album ‘Happy Earthday’ is influenced by his home country Iceland as well as environmental issues.
Having released bodies of work on трип and his own label bbbbbb, Bjarki views ‘Happy Earthday’ as his proper debut album; he feels it’s a more coherent and conceptual body of work that finds him offering up music he never thought he would release. The album contains very personal material written over the last decade during fragile moments of introspection.
Says Bjarki on the album:
“You can consider this album as a window into my head and even my soul. It reflects my thoughts at the time I made this music. For me it is a bit odd, sharing it like this with the world. As a very private person I am not used to open my door so completely, it can be a little scary for me. What if … I tend to think, expecting all kinds of everything.
Releasing this album is also a kind of a farewell to music I made in a certain period in my life. It’s like I’m saying farewell to a grown-up child which is now ready to leave.
When facing the world, the music undergoes many changes from my point of view. It becomes global, ceased to be obeyed by my thoughts. Now it’s yours, the folks that listens, thinks, speculates about it, consumes and develops a private opinion. Not one, or two, but many, even thousands. And your opinion is equally as ‘right’ as mine, or maybe more.
That’s how art is. When published, the understanding or opinion is even more of the consumers than the artist. He has lost his control over it and for me that is the scary part. Again, what if …
My music is under a heave influence from my inheritance as an Icelander, my upbringing, my family, surroundings and of course the music and artists I have listened to all my life. That’s how things are.
Maybe you can feel the melancholy of my life, the nature overall. Volcanos and the lava flowing down the slopes, the frightening noise of the ocean beating the land, the strong wind in the mountain passes and a glimpse of the first ray of the rising sun over the glacier. Now that is the dawn of a new day.”
Bjarki also announces a host of new dates in the new year, including shows in France, Italy, Poland, Switzerland, Australia, Austria, Netherlands and UK.
Niklas Paschburg Releases Hypnotic Video for ‘Anew’. The video uses footage from legendary surfer and filmaker Bruce Brown’s ‘THE ENDLESS SUMMER’.
Niklas Paschburg was born in Hamburg in 1994 – but he knows how to charm and bewitch with melodies and notes; mesmerising sounds and a cinematic atmosphere, intense crescendi and a pop flavour that moves and fascinates. Following his first EP “Tuur mang Welten”, he released his debut album ‘Oceanic’ with 7K! back on in February: a moving trip full of both melancholy and energy; twelve instrumental songs between neo-classical, ambient and electronic music, inspired by nature.
The video for ‘Anew’ uses original footage from a short film shot legendary surfer and filmmaker Bruce Brown, who became famous for producing and shooting much of the film footage for ‘The Endless Summer.’ It features skateboarding manoeuvres performed by a group of young boys, using slow motion and a variety of camera-angles which were not typical in 60’s.
Paschburg’s story is intriguing: Paschburg spent as much time as possible on the coast throughout the past year, catching the mood, breathing in the sea breeze, listening to the constant flow of the waves and transposing it all into his music. This period was a defining experience for the young German composer, grown up as a pianist and then attracted by the so-called “neo-classical scene”: “As a teenager I used to listen to Nils Frahm, Ólafur Arnalds, Hauschka and all that world, and my EP was influenced by those artists. Then I moved in other directions: for my first record I really wanted to make something different, something between piano, classical and electronic music, but also with some pop flavours incorporated – not in harmonies, but in the songs’ structure”.
The result is a soundtrack of a landscape with echoes of Bonobo and Kiasmos, on the electronic side, and with Bon Iver as Paschburg’s main pop reference, co-produced and mixed by Gijs van Klooster (who has previously worked with Joep Beving and Tom Trago). And another feather in the cap for 7K!, the hub launched by the Berlin-based company !K7, to promote neo-classical, ambient and experimental music.
28th October – SIlent Green Kulturquartier, Berlin (Germany)
31st October – E-Werk, Erlangen (Germany)
22nd November – Šv. Kotrynos bažnyčia, Vilnius (Lithuania)
5th Decemver – Nochtwache, Hamburg (Germany)
23rd January – TivoliVredenburg, Utrecht (Netherlands)
25th January – Westerliefde, Amsterdam (Netherlands)
Tricky has recruited heavyweight Italian producer and fellow !K7 artist DJ Tennis to remix ‘Running Wild feat. Mina Rose’, the third single to be taken from his universally acclaimed 13th studio album, ‘Ununiform’. Drawing on more than two decades of experience, DJ Tennis AKA Manfredi Romano has built up his reputation as an eclectic DJ and versatile producer.
The Life and Death label head twists Tricky’s hypnotic original with haunting electronics and brooding synths for an absorbing reinterpretation that is certain to entertain fans of Tricky and DJ Tennis alike.
Inspired by the emotive elements of the original, electro duo LA Riots infused their own adept house artistry to bring the single to newer heights. Keeping all the essential heart-rendering tonalities of the track, the pair turn ‘Running Wild’ into a sizable, four-on-the-floor thriller, enlivened by a fusion of deep drum patterns, full-bodied synths, and skillfully placed vocal chops.
‘Ununiform’ is the first album made since Tricky moved to Berlin, three years ago. While many people move to the clubbing capital of Europe to party, this was a clean break in every sense of the word. “I like it here because I don’t know anybody. I eat good food, I go for walks, I’ve got a bike. I’m trying to look after myself. I don’t drink here. Some people call it boring, but I wake at 9am and I’m asleep by 11 o’clock at night. I’m looking after myself.”
Tricky also credits much of the freedom of ‘Ununiform’ to something more grounded: “This album now is the first album I’ve made (in years) which isn’t going to pay off some kind of debt. So it’s more relaxed!” Referring to his previous albums, False Idols, Adrian Thaws, and the Skilled Mechanics project, he says “I was doing these records thinking ‘the quicker I do this album, the quicker I pay off the tax people.’ So ‘Ununiform’ has been very chilled out. Now, I own the label, I pay for everything myself. I’m a truly independent artist. Now I do what I want. Freedom is a beautiful thing.”
Tricky will also be touring throughout the last two months of 2017 and will be hitting the following dates:
20th November – Warsaw, Poland – SOLD OUT
21st November – Poznan, Poland – SOLD OUT
22nd November – Krakow, Poland – SOLD OUT
23rd November – Wroclaw, Poland
28th November – Berlin, Germany
29th November – Hamburg, Germany
30th November – Cologne, Germany
1st December – Amsterdam, Netherlands
13th December – London, England
15th December – Paris, France
16th December – Strasbourg, France
19th December – Leuven, Belgium
20th December – Liège, Belgium – SOLD OUT
After nearly half a decade since their monumental ‘Make It Good’, DJ Tennis and Fink re-collide on !K7. The Certain Angles 12”, to be released on 13 October, includes an exclusive club mix by DJ Tennis.
Inspired, recent studio sessions have bore two breathing, sonic landscapes, entitled ‘Certain Angles’. Glimmering pianos, droning machines and captivating song writing take form, wrapping the Berlin-based singer’s voice in subtle melancholy. Both humbly understated, yet party-ready, ‘Certain Angles’ perfectly summarises the Life and Death founder’s recent etching in the DJ-Kicks stone.
DJ Tennis has also called on four of his most trusted allies to reinterpret the single, with four digital-only remixes: The/Das deliver a pensive moment of bubbling body music; Francesco Leali appears with a timeless, genre-bending re-perception as OPUS 3000; Lee Jones salutes the faithful dancers, while Mentrix’ unclassifiable excursion challenges the towering borders of Techno. The ‘Certain Angles (Remixes)’ digital EP will be released on 27 October.
Tricky has today released an EP of remixes encompassing the first two singles from his forthcoming album, ununiform. Standout tracks ‘The Only Way’ and ‘When We Die (feat. Martina Topley-Bird)’ receive reworks from Kahn, FaltyDL and The Heatwave respectively. Available everywhere digitally, the remixes can be heard below.
The producers have also taken the time to share their own thoughts on Tricky’s lasting influence upon their own material and more widely on the last two decades of British music.
FaltyDL is first out the blocks with a catchy as hell remix of ‘When We Die (feat. Martina Topley-Bird)’ – the recent single which so excited long-standing Tricky & Martina fans upon its release last month.
“I used to work in a restaurant cleaning dishes many years ago. They had an old fashioned jukebox but it was filled with CD’s. A copy of Maxinquaye was in the machine and I would sneak out of the kitchen and load it up then dive back into my work. I must have worn that CD out, it was a daily thing for a while. I grew some attachment to the music and have been listening to Tricky ever since. There’s a certain combination between the tone of his voice and the production that always hit a nerve pretty deeply with me, it’s amazing.”
As CRACK magazine wrote in premiering Kahn’s sultry edit of ‘The Only Way’:
“Tricky stan and Bandulu Records label head Kahn has gained a reputation for cutting experimental grime dubs that are shot with a dose of the same dark, negative space that artists like Tricky helped to innovate. For this spacious remix, the Bristol producer has reworked Tricky’s trademark whispered vocals to drift into the haze of rumbling drums..”
Kahn himself adds:
“It’s hard to know where to begin in expressing how much of an influence Tricky’s music has been on me, not just as a musician but in my life generally. It’s music that’s been with me since I was a child; listening to his albums over and over again at school on my CD walkman, memorising lyrics and immersing myself in the unique atmosphere of his work and collaborations. It was an essential pillar of my musical education growing up in Bristol and remains some of the most important music and poetry to me personally. Certain songs of his are so entwined to specific memories and periods in my life, it’s like the music’s just a part of my identity.
So with that said, naturally I was honored to be asked to remix some of Tricky’s new work. In truth it was initially a bit daunting working with someone who’s been such a crucial creative influence, but the whole experience has meant a great deal to me and I hope we can work together again at some point in the future.”
Finally – rising bashment producers The Heatwave were tasked by Tricky (ever with his ear to the ground) to work their magic on ‘When We Die’ just in time for the last summer rays.
“It’s a big deal for me getting the chance to remix a Tricky tune. His music had a big impact on me as a teenager and he’s a brilliant example of a groundbreaking, genre-defying, Jamaican-influenced British MC. Before grime, garage and almost even UK hip hop, you had Massive Attack and Tricky weaving words, booming out basslines and melting minds and moods. Their Wild Bunch crew was an inspiration for what The Heatwave has become as a UK soundsystem.”
The full remix package ‘Mixed By… Vol.1’ is released today. Available here: https://K7.lnk.to/MixedbyVolume1
Tricky’s 13th album, ununiform, is a delicate, storming, intricate album that sees Tricky take perhaps his most radical step yet – a journey into happiness and contentment. It’s a record that shows the legendary British producer confront his legacy, history, family – even death itself. And in all of this, he finds the strangest, least familiar thing – peace.
It’s released on 22nd September via False Idols / !K7.
Pre-order here: https://k7.lnk.to/ununiform
Tricky returns with his 13th album, ununiform. It’s a delicate, storming, intricate album that sees Tricky take perhaps his most radical step yet – a journey into happiness and contentment. It’s a record that shows the legendary British producer confront his legacy, history, family – even death itself. And in all of this, he finds the strangest, least familiar thing – peace. Ununiform was conceived in Moscow and completed in Berlin, where Tricky has been living for the past three years – not lavishly, but instead leading a clean, reflective and positive life: “I don’t know anybody. I eat good food. I go for walks”.
Pre-order ununiform here: https://k7.lnk.to/ununiform
Testament to Tricky’s dynamism, ununiform sees him further work with new, up and coming singers as well as collaborators of the past. ‘When We Die’, premiering today via http://www.trickysite.com, features Martina Topley-Bird, who first made an appearance on Tricky’s debut 1995 album, Maxinquaye – released a month before the pair’s daughter was born. They haven’t collaborated on one another’s output in almost fifteen years.
Eerie, haunting yet enveloped by a sense of peace and acceptance, ‘When We Die’ sees Tricky take hold of a new zest for life he has come to possess: “If you don’t accept death you don’t really accept life” says Tricky.
Highlighting Tricky’s typical genre-expansive sound, ununiform features a string of collaborators old and new. These include some of Russia’s most famous rappers such as Scriptonite, who features on ‘Blood Of My Blood’ & ‘Same As It Ever Was’, plus Vasily Vakulenko (Basta) who helped produce single standout ‘The Only Way’, and Smokey Mo also makes an appearance on ‘Bang Boogie’. Tricky confesses of a 20 year long love affair with Russian hip-hop, to which he has paid homage through recording these tracks in Moscow.
Ununiform also sees Tricky rekindle working relationships with the likes of Francesca Belmonte and Asia Argento, and flip expectations further with a cover of Hole’s 1994 single ‘Doll Parts’ performed by another bright emerging talent, Avalon Lurks. Meanwhile album highlight Running Wild features vocals from Mina Rose, who will also be joining Tricky’s touring party this year.
Interestingly, the effect of his new-found outlook, freedom and lifestyle has led to Tricky turning back to his classic sound – perhaps the final frontier for such an inveterate experimentalist. “I’ve got nothing to prove now, and I’m comfortable with referencing myself.” Indeed, he’s since described last month’s single ‘The Only Way’ as “Hell is Round The Corner, Part 2”. This sensation is perhaps a response to a wave of artists referencing Tricky’s ‘90s records and his approach, from The xx to boundary-pushing London rappers Gaika and CASisDEAD, the latter of which Tricky recently collaborated with. “I’ve got a really wide audience. So I’ve got nothing to prove. I feel like sometimes it’s OK to do it again.”
The first album that Tricky has released as a truly independent artist free from the pressure of debt and destruction, ununiform is a glorious, beautiful and intensely personal attempt to answer the simple question “What does Tricky sound like?”
1. Obia Intro
2. Same As It Ever Was (feat. Scriptonite)
3. New Stole (feat. Francesca Belmonte)
4. Wait For Signal (feat. Asia Argento)
5. It’s Your Day (feat. Scriptonite)
6. Blood Of My Blood (feat. Scriptonite)
7. Dark Days (feat. Mina Rose)
8. The Only Way
9. Armor (feat. Terra Lopez)
10. Doll (feat. Avalon Lurks)
11. Bang Boogie (feat. Smoky Mo)
12. Running Wild (feat. Mina Rose)
13. When We Die (feat. Martina Topley-Bird)
Tricky unveils brand new material in the form of “The Only Way”, an orchestrated soul-barer with more than a nod to his Maxinquaye era and featuring his own trademark vocals taking centre-stage over a smoke-filled melodic backdrop.
Recorded in Moscow late last year and described by Tricky himself as “Hell Is Round The Corner Part 2”, “The Only Way” is a beautifully rare glimpse into the now Berlin based Tricky’s future, releasing via his own label imprint False Idols (via !K7 Music) on June 9th.
“A few years ago I’d have said I ain’t doing this because it sounds like me,” he says. “I always had a punk rock attitude: I don’t give a fuck if you like Maxinquaye, I ain’t doing another Maxinquaye. Now I’m a bit more comfortable giving people what they want sometimes.”
“The Only Way” will be released via False Idols (via !K7) on June 9th.
DJ-Kicks has tapped up Life And Death label founder DJ Tennis for the next instalment in its long running and landmark series, which is due for release on 14th July. The Italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesn’t disappoint.
DJ Tennis is Manfredi Romano, a life long music fanatic who has 20 years experience in music and started out managing punk bands, progressed to putting on leftfield events, started one of the most important Italian rock and electronic booking agencies, then started the Life And Death label. Since then it has slowly but surely carved out its own musical niche and has made stars of a number of acts. Tennis’s own recorded output is selective and stylish indeed, often featuring real melodies and a musicality that is frequently lacking in dance music, and includes releases like Make It Good, The Outcast with PillowTalk on Kompakt and EPs with Martin Buttrich on Rhythm Assault and an EP on Omnidisc last year. That knack for the musical and emotive side of things characterizes both cerebral mixes he has put together here.
The mix comes as a double CD and triple vinyl release and features four exclusive tracks. These include a brand new original from DJ Tennis featuring Fink and called ‘Certain Angles,’ plus new Tennis versions of tunes by Pole and Frank Bretschneider, and finally an unreleased track, ‘Paratrooper,’ from acclaimed Tel Aviv duo Red Axes.
Disc 1 is a slow burning seventy minute electronic trip that mixes plaintive piano with suspensory synths, gentle broken beats and textured sound sources with subtle and supple minimal grooves. Never hurried and always thoughtfully composed, the likes of Rephlex’s Bochum Welt, Jon Hopkins, Mouse and Mars, Isolee and Four Tet all get called upon along the way. The result is an expertly sequenced and perfectly balanced selection that is deep and insular and, as such, it will work as well for post cub comedowns as it will for lazy and sombre Sunday mornings.
Disc 2 is more energetic but just as considered, so is perfect for sunny afternoons or long drives. Here, dubbed out atmospheres percolate round house and techno grooves of increasing intensities. Big names like Traumprinz and Robert Hood build the tempo, Kenny Dixon Jr provides soulful party moment and classic electro slickness from The Other People Place help oil things along. Later on, icy ambiance from Biosphere stops the mix from ever getting too hot and sweaty before Tennis zones us out with the blissful final section, including his own excellent and piano laced new cut ‘Certain Angles’.
In programming these two diverse, eclectic and yet coherent rides, DJ Tennis shows off his singular knack for nailing an aesthetic that is subversive yet seductive in equal measure.
Out on July 14th! Pre-order here: https://K7.lnk.to/DJTennisDJKicks
01. K. Leimer – Acquiescence
02. Bochum Welt – La Nuit
03. Alva Noto + Ryuichi Sakamoto – Aurora
04. Jon Hopkins – Vessel
05. Adam Johnson – Anex
06. Pole – Raum 2 (DJ Tennis Technoid Version)
07. Monolake – Pio
08. Byetone – Neuschnee
09. Mouse on Mars & Atom TM – Key My Brain
10. Bauri – Twinkle Stars
11. Rival Consoles – Recovery
12. Oval – Textuell
13. Isolée – Allowance
14. Caribou – Melody Day (Four Tet Remix Featuring Luke Lalonde, Adem And One Little Plane)
15. D’Arcangelo – N-Tower
01. Basic Channel – Q Loop
02. Frank Bretschneider – Go! Said The Bird (Tennis Version)
03. Red Axes – Paratrooper
04. Traumprinz – Intrinity
05. Robert Hood – Escapes (6:47)
06. Kenny Dixon Jr. – Soul Sounds
07. Rhythm & Sound – Mango Drive
08. Marcello Giordani – Perché non Vuoi Ballare?
09. The Other People Place – Let Me Be Me
10. Biosphere – Ikata-1
11. Roby J – Crossed Movements (LOM Extended Version)
12. MBG – Jumping Trip
13. Loscil – Sickbay
14. Maribou State – The Clown Feat. Pedestrian (Axel Boman Remix)
15. DJ Tennis feat. Fink – Certain Angles (DJ-Kicks)
16. Kona Triangle – Astorias Ascent
A1. Traumprinz – Intrinity
A2. Basic Channel – Q Loop
B1. D’Arcangelo – N-Tower
B2. Loscil – Sickbay
C1. Frank Bretschneider – Go! Said The Bird (Tennis Version)
C2 The Other People Place – Let Me Be Me
D1. Bochum Welt – La Nuit
D2. Kenny Dixon Jr. – Soul Sounds
E1. MBG – Jumping Trip
E2. Monolake – Pio
F1. Pole – Raum 2 (DJ Tennis Technoid Version)
F2. Alva Noto + Ryuichi Sakamoto – Aurora
Following last year’s full-length LP, ‘&’, Michael Mayer is set to contribute to the legendary DJ Kicks series. Spanning sixteen tracks, the mix finds Mayer is just as generous of a mood, composing a musical journey that spans his ever-expanding record collection, and above all, his defining instinct to share the beauty of music with others.
Now he has shared ‘The Horn Conspiracy’, a brand new track made especially for DJ-Kicks, with Red Bull Radio.
He combines tribal percussions with eerie melodies creating a perfect mood to build upon and proving once again balance is key.
Following last year’s full-length LP, ‘&’, which saw him extensively collaborate with an impressive host of contemporaries and friends, including Joe Goddard, Prins Thomas and Agoria, Michael Mayer is set to contribute to the legendary DJ Kicks series. Spanning sixteen tracks, the mix finds Mayer is just as generous of a mood, composing a musical journey that spans his ever-expanding record collection, and above all, his defining instinct to share the beauty of music with others.
“On an abstract level, the approach was basically the same for both projects”, observes Mayer. “For & I put together a group of people that are close to my heart. For Kicks it was a group of records that are like friends to me. All of the tracks I used went through heaven and hell with me. They’ve become true companions. Circling in on and bringing together these friends was the only criterion for the making of this mix. I wanted it to be as personal as possible.”
Perhaps unnervingly to some, fifteen years have passed since the debut edition to Mayer’s breathtaking, scene defining mix trilogy, Immer. Not that it’s legacy – Resident Advisor’s #1 Mix of the 00s, one of Rolling Stone’s 30 Greatest EDM Albums Of All Time – has disturbed Mayer’s formidable workload. A catalogue of no less than 23 EPs, 4 albums and 170 remixes informs a near constant level of international touring. Exhausting as this can be, even after all these years, it’s a ritual that informs the delicate construction of Mayer’s contribution to the DJ Kicks series.
“Kicks has turned out to be a pretty international affair, especially if you compare it with Immer 1 or Fabric 13, which consisted almost 100% of German productions”, highlights Mayer. “At that time, there were such incredible things happening in my direct neighborhood and all over Germany. In the meantime, that spark has traveled a lot since then. The sound I’ve been pushing is often falsely described as “minimal”. Minimal used to be a thing in the pre-Kompakt days, mid 90s. After that I took much more interest in an eclectic way of playing music.”
Alongside this consistent, all-embracing attitude to music, ‘Emotive’ is still perhaps the term best associated with Mayer’s leanings as a DJ, and as the man himself once observed, “there is room on the dancefloor for emotions other than euphoria.” Certainly, DJ Kicks delivers on this expectation, balancing wistful passages with frequent bursts of high energy aimed squarely at the dancefloor.
Mayer’s own reliable talent and golden touch for remixing the likes of Kasper Bjørke, Dreems and CSS provides much of the mix’s atmospheric backbone, supported by dispatches from the contemporary underground from the likes of Jon Hopkins, SAVE! and Boreal. Resolutely a forward thinking affair, the Cologne master nonetheless takes a trip to revisit his timeless love of Throbbing Gristle, slides back over a decade for the electro euphoria of Mekon and Royksopp, as well as his good friend Roman Flugel’s Alter Ego persona.
“I’m constantly scanning my record collection for older tracks that could make new sense in a contemporary context”, reveals Mayer. “There’s no system behind it. My record collection is too chaotic for a systematic approach. As much as it annoys me having to search for a particular record and often not finding it – during the search I’d always find 10 other records that deserve to be revisited.”
19 May 2017 / !K7
01. Peter Zummo – The Tape Is Chill
02. Michael Mayer – The Horn Conspiracy (DJ-Kicks)
03. Bvoice,Anrilov, Danilov – Papas Groove (dOP & Masomenos Remix)
04. SAVE! – The Darkness (I:Cube Remix)
05. Justus Köhncke – Feuerland
06. CSS – Honey (Michael Mayer Remix)
07. Alter Ego – Gary
08. Kasper Bjørke – Apart feat. Sísý Ey (Michael Mayer Remix)
09. Lionheart Brothers – The Drift (Prins Thomas Diskomiks)
10. Mekon feat. Marc Almond – Please Stay (Röyksopp Remix)
11. Dreems – Mirages (Michael Mayer Remix)
12. Boreal – Canopy Target
13. Throbbing Gristle – Hot On The Heels Of Love (Ratcliffe Remix)
14. Death In Vegas – Consequences Of Love (Chris & Cosey Remix)
15. Idioma – Landscapes
16. Jon Hopkins – Abandon Window (Moderat Remix)