For his new video for “Smile (Vocal Mix)” with Alex Gopher featuring Asher Roth, French producer ETIENNE DE CRECY heads to Atwater Village in Los Angeles, CA. The video, directed by de Crécy and produced by , captures a morning commute on Glendale Boulevard from a driver’s point of view while listening to “Smile.” It’s an LA experience, even with a radio intro courtesy of KCRW 89.9 DJ Jason Bentley.
“I discovered Asher Roth with the ‘Tangerine Girl’ video,”says de Crécy about his “Smile” vocalist Asher Roth, who also makes an appearance in the video. “I went totally mad with this song! And when I thought of a vocalist to feature for ‘Smile,’ obviously only Asher could bring the easy-going funkiness I was looking for this track. But the surprise was how fast he made the song! In a matter of hours at Alex Gopher’s studio. That was amazing. ‘Give it a try…smile.’ I can choose this line for my epitaph!!!”
“Smile (Vocal Mix)” is available now alongside remixes by
Don Dada, Moonbootica, Clyde P, Round, Mijo and Malikk as a remix package. The original version of “Smile” appears on Etienne de Crécy’s album Super Discount 3.
“The project’s third chapter forms a connecting link between the ﬁrst two episodes. Although synthesizers are still in the front line (true to the techno energy of Super Discount 2), the samples and production go to create a more house, funky sound (the trademark of the ﬁrst volume).”
Legendary Parisian, electronic house pioneer, Etienne de Crécy unveils his new video for the next single ‘YOU’ taken from his critically acclaimed Super Discount 3 Album.
After taking the directorial reigns on ‘hashtagmyass’(hastagmyass.com), which generated over 700,000 views across online social outlets, Etienne De Crecy has called upon award winning director Helmi (the man responsible for the highly entrancing Tiga’s ‘Bugatti’ video) to extenuate the brilliance of his latest single, ‘You’. Video produced by Division Paris.
Helmi incorporates a repetitive loop that melds into ‘You’ with a succinct synchronicity, as if it were another layer of the track, bolstering further the infectious synth workings of Etienne. A tribute to European club culture, stylistically the video encapsulates today’s nostalgia obsessed youth and the true essence of clubbing.
After five years spent blitzing a string of venues with his legendary Beats N’Cubes show –a lavish installation and live experience as visually brilliant as it was sonic, leaving festival-goers at Coachella dazed– ETIENNE DE CRÉCY has revived his Super Discount project, a decade after the last, second opus. Look for SUPER DISCOUNT 3 to be released in North America January 19th 2015 on Ultra Music. Pre-order SUPER DISCOUNT 3 here.
The story begins in 1992 when ÉTIENNE DE CRÉCY and Philippe Zdar go to their ﬁrst rave in Paris and decide to form Motorbass. Sound engineers at the legendary Plus XXX studio, they release their album Pansoul in 1994, announcing the birth of French house.
In 1995, ÉTIENNE DE CRÉCY launched his Super Discount project writing most of the tracks on the ﬁctitous compilation album, crediting them to different aliases, but also works with his friends Air and Alex Gopher. Like Motorbass’s Pansoul, the record becomes one of the driving forces behind French Touch and seminal classic of electronic music in France and abroad. Super Discount is a critical and commercial success, an icon of its day. The U.K.’s MixMag magazine wrote, “Every track of this album is simply sublime… Every single one is quite simply essential.”
In 2001, ÉTIENNE DE CRÉCY released Tempovision. A tireless electronic trailblazer, he moved on from pure house music and now introduces a sound previously exclusive to underground to a wider audience. On Tempovision, he explores new dimension of his work (dubbed ‘digital soul’) with American singers Belita Woods and Michael Clip Payne. Once again, images turn out to be crucial when his brother Geoffroy de Crécy makes a series of animated videos for the singles “Am I Wrong,” “Scratched” and “Tempovision.”
In 2004, as house music ﬁlls the charts and iconic French Touch DJs play sets in the world’s biggest VIP clubs, ÉTIENNE DE CRÉCY has a sudden change of heart and turns to electro, inﬂuenced by the young guard of producers who are tired of French Touch. The result is Super Discount 2, whose harder, more aggressive sound is closer to ÉTIENNE’s early techno leanings. Philippe Zdar, Boom Bass, DJ Mehdi, Alex Gopher and Julien Delfaud all contribute to the album. The numbers “Fast track” and “Overnet” become the anthems celebrating electronic music’s renaissance.
From 2004 to 2006, ÉTIENNE DE CRÉCY performs Super Discount 2 live with Alex Gopher and Julien Delfaud. The tour begins in small, pioneering electro clubs all over Europe and ends two years later on the stages of some of the greatest festivals in the world.
ÉTIENNE DE CRÉCY then produced the Commercial EP 1 & 2 and offers to the Bloody Beetroots to remix his track “Funk.” The remix becomes a viral success and springboard for the Beetroots, and forms a connection between ETIENNE and the young electro generation.
In 2008, ÉTIENNE DE CRÉCY launches Beats’n’Cubes, a piece of performance art devised by the Exyzt collective. This radical, bright, cubic sound installation travels the world for more than 5 years (headlining Coachella’s Sahara stage in 2008). A genuine revolution in stage design for electronic music, it helps techno break out of its ghetto, making it a hit at rock festivals.
By 2014, EDM is taking the USA and most of the rest of the world by storm. It is at this point that ÉTIENNE decides to revive Super Discount. The project’s third chapter forms a connecting link between the ﬁrst two episodes. Although synthesizers are still in the front line (true to the techno energy of Super Discount 2), the samples and production go to create a more house, funky sound (the trademark of the ﬁrst volume). This time for SUPER DISCOUNT 3, ÉTIENNE has worked with singers Baxter Dury, Pos & Dave (De La Soul), Tom Burke (Citizens!), Madeline Follin (Cults) and Kilo Kish rather than producers, although Alex Gopher and Julien Delfaud contributed.
The first single from SUPER DISCOUNT 3, true to the producer’s house obsession, is “Night (Cut the Crap)”–an edgy, state-of-the-art bombshell that exploded on the summer 2014 electronic scene.
There’s also “Hashtag My Ass,” the clever single that is also a unique interactive experience dedicated to Instagram users. Based on the idea that personalization and customization are the future of consumption, de Crecy invites users to connect to Instagram and create their own music video via the website www.hashtagmyass.com. Log on here and within seconds, pictures from the user’s account are sorted, selected and integrated into record sleeves as featured in the “Hashtag My Ass” music video using tags and priority levels. The user can “pimp” the video adding #superdiscount on his or her pictures and they will appear in priority. Find every shared video on the dedicated YouTube channel.
Making its way into the U.S. market is “You” featuring vocals by Madeline Follin (Cults). Available now with album pre-order, the sexy track, with its bell-like and Moroder-style synths, is sure to set late night sets on dark dance floors burning the world over. Listen to the track now below
In his live performances, record production and visuals, ÉTIENNE DE CRÉCY has always been a pioneer, producing conceptualized, original, groundbreaking work.
Étienne de Crécy presents Super Discount 3 track listing:
1. Night (Cut The Crap)
2. You ft. Madeline Follin (Cults)
3. WTF ft. Pos & Dave (De La Soul)
4. Hashtag My Ass
5. Smile ft. Alex Gopher
6. Sunset ft. Tom Burke (Citizens!)
7. Amazing ft. Julien Delfaud
8. Follow ft. Kilo Kish
10. Family ft. Baxter Dury
De Crécy alongside Stinkdigital Paris have created a ‘first of its kind’ Instagram video experience for this new track, the aptly named, ‘Hashtag My Ass’. You can connect your Instagram account to the ‘Hashtag My Ass’ website and then you can watch a personalised video where your Instagram pictures show up on the record sleeves featured in the video. You can also share your video on social media as well as upload it to Superdiscount’s Youtube channel.
Here’s our version!
Gomma are proud to present a collection of fantastic Nancy Whang reworks of classic disco tracks that come in collaboration with a host of top modern day collaborators. The package also includes a new single with Drop Out Orchestra entitled ‘I Was Made For Loving You’, a cover of the famous Kiss record.
Whang has provided her trademark vocals to tracks by Soulwax, The Juan MacLean and Classixx before now, and after years as a vocalist and keyboard player in James Murphy’s super band LCD Soundsystem is now a revered artist in her own right. Each of the originals here were released on Casablanca – the label that made Giorgio Moroder’s Munich Disco Sound a worldwide trademark – and now have new life breathed into them to make them big hitters once more in 2014.
First is a remake of Dennis Parker’s ‘Like An Eagle’ with AudioJack. It’s a dazzling, uplifting track with plenty of cosmic energy and soaring vocals before next comes ‘Working The Midnight Shift’ with Bonar Bradbury of PBR Streetgang. This one, originally by Donna Summer, is a blissed out bomb with killer arps, tough basslines and plenty of retro disco flair.
Then comes the Nancy and Etienne De Crecy version of ‘Comme Un Aigle’, which is slowed to a seductive tempo, finds Nancy singing in French and is hugely sexy as a result. Following that is the inclusion of the new single in Semi Skimmed mix form (the original is also included), which is a rework of a Kiss classic. ‘I Was Made For Loving You’ is a broody bit of deep disco with Nancy’s killer vocal delivery front and centre and classic strings, plucked guitar funk and bold drums making for great listening all around.
Next is ‘Flashlight,’ originally by Parliament, which sees Nancy pair off with modern disco king pin The Revenge. It’s a trippy track with super deep kicks, a patient build up of tension and lots of bubbling synths that come at you from below.
This is a sizzling disco package once again from Gomma – both the new single and the collected previous reworks are essential tunes as we hit the height of summer.
1. Nancy Whang & Audiojack – Like An Eagle
2. Nancy Whang & Bonar Bradberry – Working The Midnight Shift (Disco Version)
3. Nancy Whang & Etienne de Crecy – Comme Un Aigle
4. Nancy Whang & Drop Out Orchestra – I Was Made For Loving You (Semi Skimmed Version)
5. Nancy Whang & The Revenge – Flashlight
6. Nancy Whang & Bonar Bradberry – Working The Midnight Shift
22 years ago, Étienne Bernard Marie de Crécy, released the excellent “Super Discount”, an album that was probably the first truly “French touch” album. Since then, de Crécy has released two artist albums; 2000′s more darkly “Tempovision” and 2004′s “Super Discount 2”, alongside studio friends, Cassius.
Now, de Crécy is ready to release his third Super Discount album, the aptly titled “Super Discount 3”. Below, you can stream the first track, entitled “Night (Cut The Crap),” which features some impressive sci-fi infused synths with nods to electro-funk and acid. Yes, de Crécy is back to his very best!
House music stalwart Etienne de Crécy has announced a brand new EP, ‘BEATS N CUBES VOL 2’ via his own label Pixadelic this summer. This is the second volume of the lauded BEATS ‘N’ CUBES series, which sees Etienne de Crécy deliver an exclusive set of tracks that have only ever been played in his legendary Cube live set up. Painstakingly reworked by the man himself in the studio, these four finely crafted club gems will finally be released this August just in time for the summer party calendar.
Etienne explains: “The Beats’n’Cubes show was initially conceived as a scenography feature, where I could play my live tracks on a large festival stage. It didn’t take long for me to get inspired by the installation strength. I have regularly updated the show with new images and new tracks to adapt the music to this cube, a massive and luminous structure. I have only been playing these tracks live so it is really exciting to have these songs finally being released.”
All tracks have been mixed by Alex Gopher. Stream “We, Computers”, below.