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Portable feat. Lio – Surrender (Kosi [DJ Koze] Edit)

dj koze

Here’s one of several exclusive DJ Koze edits from his DJ-Kicks mix (the 50th entry in the DJ-Kicks series), out June 15th on !K7 Records. Stream the great “Portable feat. Lio – Surrender (Kosi edit)” below.

DJ Koze – I Haven’t Been Everywhere But It’s On My List

dj koze

After recently announcing that he would be helming the 50th installment of the revered DJ-Kicks series, Hamburg’s DJ Koze is back today to share his exclusive original contribution to the mix. “I Haven’t Been Everywhere But It’s On My List,” which also opens the mix as a whole, finds the producer setting the tone for the 70 minute mix, which blends breezy and soulful tunes with more melancholic moments in a playful way that only Koze can. Check out the track below. More info about the forthcoming DJ-Kicks installment here. Pre-order here.

DJ Koze – DJ Kicks

dj koze

DJ Koze – with his friendly and sometimes slightly melancholic take on the world – is one of the greatest auteurs of club music today. Countless gigs worldwide, assorted productions and remixes have brought the Hamburg native to the center of the scene. He is particularly admired for the niceness, the weirdness, the soul and the humor in his music. And also because he makes it clear that music is something bigger and more encompassing than just a party. Koze is one of the few internationally active DJs who dares to make music that has relevance beyond the club.

Yet Kosi has never held up a certain style as a signifier for his music. He is concerned with the bigger picture, which is formed by a relentless curiosity and a penchant for making unlikely connections. His discography includes the hip hop of his early rap act Fischmob, the soul and funk of International Pony, the mixture between Dadaism and sonic research with Adolf Noise, and the reduced psychedelic house that he publishes under his own name.

During the 70-minute journey on his DJ Kicks – the 50th edition – Kosi Kos manages to establish a uniform color even though genres alternate in a way that is rarely heard on a mix CD: the stripped down hip hop of Madlib, brutalist Berghain techno, timeless songwriting, floating indie-pop and outlier numbers that oscillate between absurdity and melancholy. Koze’s disregard for the stylistic yoke presents him with an immense challenge. Hence, almost all the tracks are more or less edited, and one is fully rhymed (Session Victim: Hyuwee)

Koze rambles on here himself: “I didn’t want to kick around sophisticated knowledge, but rather try and weave together some good gems that would make sense to anyone, even people who aren’t necessarily music nerds”. But this is blabbing that you can count on, also because he approaches the term “mix” from a different angle and doesn’t even try to make something fit that doesn’t fit: “During the day, I don’t need to hear anything that’s mixed on the beat. I put the focus on making sure that it works harmoniously – the idea is more to create the impression of a radio show, like people such as John Peel did so uniquely. There is a giant cosmos of music and it runs through my filter”.

He makes the point with his own brand new exclusive DJ Kicks opening track – once again from a different angle. the Dilla-esque “I Haven’t Been Everywhere But It’s On My List” with its melting, fragile soul samples, the pinched, anxiously-expressive vocal snippets and sweet guitar riff says it all, and whets your appetite for more and more. The mood is gentle, laid back, extremely open and ready to take risks.

The space of the set has been opened. After the cool Dimlite track “Can’t Get Used To Those” and a long lost Boards of Canada remix, the journey heads straight over to LA, with three tracks from the legendary Stones Throw label. Two edited instrumentals from the maestro Madlib: Strong Arm Steady, Homeboy Sandman & Freddy Gibbs combine the sweetness of yesteryear with the beats of the present day – sweet surprise included! “The beats are unquantized and elements are too loud. Everything sounds broken, cracked. It’s punk and yet it has so much soul. There’s a hint of madness hidden beneath the blanket of harmony.”

MNDSGN’s “Camelblues” takes out the tempo and connects the sound world with the tangible. Suddenly, the Indian philosopher and guru Osho appears. That guy again.

The hitherto almost unused open mics of the hip hoppers are now gently taken up by the songwriters: “Pieces that are dear to my heart, that have a longevity, that are simply there and will sound good in many years. You don’t have to understand anything. They are greater and freer than anything else you’ll hear.”

Broadcast connect direct, serious, sixties-schooled narration with impenetrable electronic sounds, which are then met with Daniel Lanois’ shimmering steel guitar. The next track is a mash-up (or a “Kosi Kos Mélange”) of a hip-hop instrumental from the Cincinnati-based producer Hi-Tek and the A cappella of The 2 Bears song “Modern Family”.

It’s pure magic! “When an a cappella is placed over another instrumental and in a different tonal setting, it’s usually even more beautiful than the original, because the vocal melody is no longer so understandable. Singers otherwise often follow the music too stringently. So then you wonder: How can somebody sing so monotonously over such varied music? The friction that arises is often magical.”

Also sad and melancholy is William Shatner’s “It Hasn’t Happened Yet”, a merciless pondering of a failed life that has the vocal magnitude of a Brian Ferry and the clarity and sobriety of Hall & Oates or Steely Dan. Marker Starling (Mantler) continues this serene seriousness, but exchanges the slick seventies songwriting for an extremely contemporary stylistic freedom.

Then Koze once again presents an entire new vocabulary. A guitar plays around heavy, flowing chords and a droning bass. With Session Victim’s “Hyuwee”, the imperative straight bass drum makes its first appearance in this set. Koze remixed the individual tracks from the piece with almost no new sounds and mixed and arranged them completely differently: The elements are free, they seem more detached, more insistent and eery, drifting away from the dance floor. The techno cosmos appears when it is completely unexpected, yet it carries on the unique mood of the Koze’s opener, the sadness of the beats by Hi-Tek or the depth of Shatner’s confession. The same goes for the heavy dub techno by Frank & Tony in Koze’s edit: even more melancholy and lonely. The soundscapes of the Berghain techno by Marcel Fengler are of enormous, besieging, intangible – yet they seem easy, charming and hypnotic: “A great, deep number. I thinned it out to bring it in, so that it has a chance to build up the tempo.”

Koze blended his thoughtful, contemplative version of the Portable track from the vocal version, instrumental and A cappella. “Superstar” by The Gentle People is a brilliant finale: As with Koze’s opening track, here the vocals and electronic sounds blend together and transform a bad feeling into a wounded, broken and – for that very reason – invincible energy.

This DJ Kicks is light music, and it entertains like hardly any other piece of music. At the same time, Koze reveals himself – with his entire musical biography and all his emotional contradictions. Koze sends us into a maze – and looks us straight in the eye, more directly than ever before.

DJ Koze DJ Kicks (!K7)

June 15, 2015

01. DJ Koze – I Haven’t Been Everywhere But It’s On My List (DJ-KiCKS)
02. Dimlite – Can’t Get Used To Those? (Kosi Edit) / Efdemin – Ohara
03. cLOUDDEAD – Dead Dogs Two (Boards Of Canada Remix)
04. Strong Arm Steady – Best Of Times (Instrumental)
05. Homeboy Sandman – Holiday (Kosi & Fink’s Edit)
06. Freddie Gibbs & Madlib – Shame (Instrumental)
07. Mndsgn – Camelblues (Kosi Edit)
08. Broadcast – Tears In The Typing Pool
09. Daniel Lanois – Carla
10. Hi-Tek / The 2 Bears – Come Get It (Tekstrumental) / Modern Family (Kosi Kos Mélange)
11. William Shatner – It Hasn’t Happened Yet
12. Marker Starling – In Stride
13. Session Victim – Hyuwee (DJ Koze Remix)
14. Frank & Tony – Bring The Sun feat. Gry (Kosi Edit)
15. Marcel Fengler – Jaz (Kosi Edit)
16. Portable feat. Lcio – Surrender (Kosi Edit)
17. The Gentle People – Superstar

DJ Koze – Reincarnations Pt 2

dj koze remixes

A year has passed since DJ Koze released his masterpiece Amygdala, which was heralded worldwide with numerous awards and prizes. Now, after Reincarnations – The Remix Chapter 2001-2009 and Music Is Okay (2000), comes the third major exhibition of DJ Koze’s work as a remix virtuoso: Reincarnations Pt 2.

Alongside the acclaimed solo albums Kosi Comes Around (2005), Wo die Rammelwolle fliegt (as Adolf Noise, 2005) and Amygdala (2013), it is primarily through his remixes that DJ Koze, like no other producer of electronic music, sets new standards again and again. His musical and storytelling skills always seem to shine a little brighter when he lets all his love and passion flow into the music of other artists. There are many songs where people first recall the DJ Koze version. Remixes to remember.

dj koze

For Reincarnations Pt 2 DJ Koze, aka Swahimi, der Unerleuchtete, (Swahimi, the Unenlightened), collected 12 of his musical rebirths in an old wicker basket, where otherwise a small cat can be found sleeping. Once more, DJ Koze refines and varies his colors and shapes, styles and materials. He prefers to reach a crescendo on the dance floor in his own special way – often the loud becomes the quiet, the heavy stands in contrast with the gentle. Koze’s remix of Moderat’s “Bad Kingdom” makes a hymn from a hit. His reworking of the two Herbert tracks “It’s Only” and “You Saw It All” feel like abstract paintings, yet function simultaneously as great pop music. And his wonderful arrangements for Caribou, Who Made Who, Ada, Gonzales, Soap & Skin, and finally, as a crowning glory, Apparat’s “Blackwater”, have all long since become classics.

In the mountains, they say, the direct route always leads from summit to summit. An experienced mountaineer, DJ Koze also leads us along winding paths, up through shady valleys and high over the clouds. Reincarnations Pt 2 is that kind of journey, rambling and floating, a grand illumination. Enlightened.

Below you can stream the new unheard remixes of Matthew Dear’s ‘Little People (Black City)’ and Tocotronic’s ‘Kapitulation’. Reincarnations Pt 2 is out now October 27th 2014 on Koze’s Pampa.

Moderat – Bad Kingdom – DJ Koze / Robag Wruhme Remix

After remixes by Marcel Dettmann and Head High it’s now DJ Koze who adds his artistic touch to Moderat‘s "Bad Kingdom". B side is Robag Wruhme‘s "4/4 Edit mit Xomlopp RMX Schwanz-014" which has already been featured in a shorter version on Moderat’s Tour Edition. Both versions are 100% sing-along dancefloor material and can be previewed above. Out on May 16 on Monkeytown.

Video: DAMH – Black Night

DAMH, the new project from two familiar faces straight out of the ever-burgeoning neo-romantic dance underground – Ada & David Hasert, have just shared the official video for "Black Night", the title track from their recent EP. Watch it below; directed by Jake Fairley. In case you missed it, check out the beaufiful DJ Koze’s remix of the track here.

DAMH – Black Night EP [2014]

DAMH is a new project from two familiar faces straight out of the ever-burgeoning neo-romantic dance underground – Ada & David Hasert. The duo teamed up for two blissed-out pop-infused pieces, with winning remixes by Hamburg mastermind DJ Koze and purveyor of fine looping Matt Karmil.

DAMH – "dog ate my homework" – this could lead the unsuspecting listener up the garden path – as these cuts sound nothing like the sonic debris remaining after a household-centric accident involving overzealous pets. BLACK NIGHT – an affectionate ballad that nonetheless knows how to maintain its floor momentum.

HANSI’s prominent opening vocal harks back to Lawrence’s "Teaser", a true classic from Kompakt’s earlier back catalogue, but traces its own magic way thanks to its expertly executed strings and piano-arrangement.

DJ KOZE backs up the package with his remix of BLACK NIGHT, where we see the iconic producer shifting gears for a subtly bouncing downbeat gem – followed by MATT KARMIL’s finely filtered, hypnotic house revamp that once more proves this upcoming artist to be a major force in the growing field of philanthropic psychedelics (via Kompakt).

Out today via Kompakt. Buy here. DJ Koze’s full remix of "Black Night" can be streamed via the player below.

Robag Wruhme x Roman Flügel x DJ Koze

Robag Wruhme‘s and Roman Flügel remix fellow German producer and Pampa boss DJ Koze on a 12" which can now be streamed in full. Each producer reworks a track from last year’s excellent Amygdala LP: "Amygdala" and "Nices Wölkchen feat. Apparat". Out on March 28.

03. DJ Koze – Amygdala

Ίσως το καλύτερο και σίγουρα το πιο διασκεδαστικό άλμπουμ περίεργης χορευτικής ηλεκτρονικής μουσικής των τελευταίων ετών έρχεται από τον Stefan Kozella ή αλλιώς DJ Koze. Το Amygdala παραμένει πιστό στο μοναδικό στυλ του Koze, ενώ τα φωνητικά από Cariboy, Matthew Dear, Apparat και Ada ανεβάζουν ακόμα περισσότερο το επίπεδο (άκουσε στο spotify).

DJ Koze – Magical Boy (Matthew Herbert Remix)

Earlier this year, weird techno veteran DJ Koze released his excellent LP Amygdala, one of 2013’s strangest and most enjoyable dance records. On December 2, his Pampa label will release a few remixes from that LP by the likes of Matthew Herbert and Efdemin. Below, you can stream the 10-minute pop-focused rework of "Magical Boy" featuring Matthew Dear by Herbert.