Following a steady stream of remixes from the likes of Maceo Plex and DJ Tennis, Maribou State today release “Kingdom (feat. North Downs) (Adesse Versions Remix)”.
Having previously released on labels such as Numbers, Delusions Of Grandeur and Ostgut Ton (under his own name), he delivers a subtle re-work, drawing out the vocals of long-time Maribou State collaborator Jack Sibley AKA North Downs over a lean reconstruction of the original’s percussive, hand-clapped rhythms. “The original has fantastic drums, melodies and vocals, but with room for me to give it a little more energy” he explains. “This was one of the most enjoyable remixes I’ve worked on for a long time”.
The release follows the incredible sold-out performance at the Roundhouse, where Jack joined the band to perform the song live on stage against a backdrop of brand new live visuals and an expanded string quartet in addition to the 5-piece band. Their recently announced 5k capacity Brixton Academy show – on March 7th 2019 – has sold-out in a matter of weeks, charting the phenomenal success of the band since the release of their breakthrough debut album “Portraits” in 2015.
Chrome Sparks (aka Jeremy Malvin) returns with new EP ‘Be On Fire’, released via Counter Records (a Ninja Tune imprint), the follow-up to his self-titled debut album released earlier in 2018. He takes the same all-inclusive, dreamily-realised approach, lacing together a patchwork of wide-reaching influences. On ‘June Lion’, an ecstatic arsenal of synths are layered over a half-time trap beat, building skywards to an overclocked conclusion. An ‘80s boogie groove is the bedrock of ‘Be On Fire’, voice-box vocals and lush keys adding to the smooth, downtempo feel. ‘Ultraviolet Rainbow’ sounds how you’d expect: rainbow-beam synths and bright-sparkling arpeggios, combined with a turbocharged hip-hop bounce. In comparison, ‘I Could Be The Voice Inside Your Head’ is woozy and relaxed, notes bending elastically in and out of shape, tinged with an air of melancholy.
Lead single ‘In2 Your Love’ is a sandblast of synths, heavy-hitting drums and lo-fi 80s soul, inspired by the idiosyncratic demos of George Smallwood, whose music he’s become obsessed with since a friend recently introduced it to him, and whose sampled vocal served as the starting point for the track. Malvin’s hip-hop-indebted, energy-drenched style lights up his source material, paying homage to Smallwood’s freewheeling spirit, while turning it into something new. “The result is a track that I feel pays homage to an under appreciated musical gem and surrounds it with a breath of new spirit,” Malvin says.
Maribou State announce the first in a series of remixes and reworks of their forthcoming album “Kingdoms In Colour”, out today, September 7th on Counter Records.
Released now, Maceo Plex takes on recent single “Nervous Tics” featuring Holly Walker on vocals. The remix – perfected in between road testing on dancefloors in London, Dekmantel Festival and beyond – sees the veteran producer draw on the electro influences that have inspired much of his prolific – nearly two decade long – career. “When I got sent the parts I instantly could hear the vocal over a cool breaks track. Soon as I laid it over the breakbeat it pretty much wrote itself.”
Keep an eye out for Maribou State North American shows to be announced in the near future.
Maribou State’s ‘Nervous Tics’ encapsulates the panoramic nature of the band’s second full-length. Written over a number of writing and recording sessions in Berlin, Beijing, Hertfordshire, The Cotswolds and London, it features a field recording running throughout the track of Chris and Liam in a music store in Beijing playing the Guzheng – a traditional Chinese stringed instrument. “It’s always felt like the Frankenstein moment of the album due to all the unorthodox parts that were glued together during the process” they explain,
Having nearly been overlooked from the final album cut, the last minute addition of new vocals from longtime collaborator Holly Walker – vocalist on fan favourites ‘Midas’ and ‘Steal’ – reinvigorated the band’s love for the track. “Nervous Tics is about the low-lying panic of modern life” explains Holly, “we’re all on our phones getting terrible news headlines and hyperreal Instagram images livestreamed into our brains, and it’s making us jumpy. This song is the realisation that no amount of mindful breathing or downward dog can replace some good old fashioned human contact and emotion.”
With ‘Nervous Tics’ remixes forthcoming from Maceo Plex and DJ Tennis, the single follows on from their recent collaboration with Khruangbin on ‘Feel Good’ – currently receiving plenty of love on the 6 Music A-List – and comes alongside the news that their headline live show at London’s Roundhouse on 18th October – which will feature additional strings and production – has sold-out in just 3 weeks. Expanding to a 5-piece band, Maribou State head out on a UK & EU tour this autumn, including further sold-out stops in Leeds and Amsterdam. This follows a run of summer festival shows – including a headline slot at Sonar By Day – Roskilde, Pukkelpop, Nova Batida and All Points East – where they DJ’d after Flying Lotus.
Maribou State announce their new album “Kingdoms In Colour”, released 7 September via Ninja Tune’s Counter Records imprint, their first full-length since 2015’s breakthrough debut album “Portraits”. The record features new single ‘Feel Good’ – a collaboration born of their friendship with Houston-based trio Khruangbin and a shared love of breakbeats, vintage surf riffs and a common desire to explore worldwide music cultures. “Sometimes a chance meeting plants the seed for something bigger,” say Khruangbin. “Such was the case when we met Maribou State at KOKO a couple of years ago. We are very happy to be involved in this project. And we ‘feel good’ already.”
The band continue their long standing relationship with Holly Walker who has previously vocalled fan favourites such as ‘Midas’, ‘Steal’ and ‘Tongue’. Also featured on the record is recent single ‘Turnmills’ – named after the legendary London club which closed its doors in 2008 – the release was accompanied by a sold-out ‘all-night’ DJ set at Corsica Studios raising money and awareness for the The Night Time Industries Association’s #SaveNightlife campaign to protect the UK’s most vulnerable music venues from closure.
They also announce a new headline UK tour this autumn. Returning with a 5-piece band, they play at London’s iconic Roundhouse on the 18th October. Ahead of this they will also embark on a string of European festival dates which include a headline show at Sonar By Day, Parklife Festival, Roskilde, Pukkelpop Festival and Nova Batida, having recently DJ’d after Flying Lotus at All Points East festival in London.
Today Maribou State release their first new music since 2015’s breakthrough album “Portraits”. The British duo – Liam Ivory and Chris Davids – are fresh from an extended studio hibernation and will take their new live show to a string of summer festivals including a headline set at Sonar 2018, Parklife, Roskilde, Farr Festival, Standon Calling, Pukkelpop, MS Dockville, Nova Batida and El Dorado. They will also DJ after Flying Lotus at London’s eagerly anticipated All Points East Festival.
New single ‘Turnmills’ is a stunning track and a momentous statement of intent, revolving around a magnetically addictive arpeggiated bassline with expansive strings and choral vocals. The track is dedicated to the legendary London nightclub of the same name that closed in 2008 – one of a string of closures during the past 15 years that struck at the heart of the UK capital’s vibrant and globally renowned underground music culture.
Chrome Sparks announces debut album out 13th April via Counter Records and shares new single ‘STILL THINK’.
Chrome Sparks (aka Jeremy Malvin) re-emerges with new single, ‘What’s It Gonna Take’, released via Counter Records (a Ninja Tune imprint). His distinct approach to pop, interwoven with cherry-picked sounds from hip-hop and club music touchpoints, continues to shine through. It’s the Brooklyn-based producer’s third outing for Counter, and it continues in the same trajectory as previous singles ‘Wake’ and ‘All Or Nothing’. Fizzing with vitality, it sees steady-bouncing, trap-tilted drums interplay with bright, melancholy-hued melodies and swells of atmospheric pads. Angelica Bess (part of Body Language, and has previously collaborated with Machinedrum), who featured on 2016’s ‘All Or Nothing’ (supported by Jason Bentley on KCRW and Annie Mac on Radio 1), returns to add a silky, magnetic shine to the track.
Explaining the themes behind the track, Malvin says, “We’re all passengers on the emotional tilt-a-whirl of a budding romance at some point. It can be thrilling and exhausting and maddening and inspiring and so hard to pin down. ‘What’s It Gonna Take’ is Angie’s and my take on that ephemeral unrest you feel when getting to know somebody intimately.” The single precedes more new music to come soon on Counter, as well as a co-headline North American tour with Machinedrum in 2018.
After a 2016 that saw him partner with Ninja Tune imprint Counter Records, release “The Generation of Lift EP” to retailers for the first time and share one-off single “Sulphur Springs” via Zane Lowe on Beats 1 Radio, Nashville-by-way-of-Dallas artist Conner Youngblood is back to share his first piece of new music in 2017. The song titled “Everyday” is a collaborative effort with Nas-endorsed vocalist Nylo and finds Conner showcasing the breadth of his musical knowledge playing a charango, a 6-string ukulele and a cuatro, among other instruments. it was premiered via i-D today…
Nylo explains the origins of the collaboration: “I actually met Conner by hearing his music echoing out of an office in Epic Records. I ran in overwhelmed with joy that there was music without a dance, four-on-the-floor style kick pattern for once!”
Conner goes on to describe how the song came together: “The whole thing came about pretty naturally and patiently. We wrote the music one night together in LA, and didn’t finish writing lyrics or recording vocals until the next time we could get together in Dallas maybe four or five months later. It was an attempt at making an upbeat song, just to kind of step away from the usual moody and quiet vibes Nylo and I typically write“.
Conner is in the studio recording his debut album. He already boasts 7 songs with 1 million+ streams on Spotify. Stay tuned for more information about forthcoming releases and listen to “Everyday” now.
Howling return with “Phases” (supported via RA), the first new music from their forthcoming full-length. Released digitally on 8th March 2017 on Counter Records alongside a club version of the original, the single will be followed by remixes from Alex.Do (Dystopian) and Toto Chiavetta (Innervisions) which will see a vinyl and digital release via Innervisions.
“We began this track with a few synths and some obscure vinyl samples when we had some time together in California in an old wood and stone house looking down over the sea… everything was recorded there with all the beautiful scratch and hiss of a lounge room with windows open to the world… we shaped it further playing it live, learnt how it needed to flow and gently coerced it when we could in Berlin and Ibiza and anywhere we found ourselves in between… it found its way to its many forms and carries all those places and moments with it now..”
Consisting of Frank Wiedemann of Âme and singer RY X of The Acid, Howling released their debut album “Sacred Ground” in 2014 to widespread acclaim. Described as “Flawlessly stunning production… A tranquil masterclass in downtempo electronics” by Mixmag, the record solidified their previous breakout success with the viral track ‘Howling’, and was complimented with a set of stunning remixes from the likes of Midland,Rødhåd and Radioslave.
Frank and RY X also took their collaboration out on the road, translating the album into a mesmerising live show and playing a string of sold out shows and festivals in the UK and across the world. They return to play live at Village Underground in London on the 15th April.