Recorded in the wake of the release of “Family Portrait” and constructed with the dancefloor at the forefront of his mind, the three tracks assembled on “Epiphany” 12” are sleeker and tougher than his acclaimed debut album but his signature warmth and personality is ever present. For the title track in particular, he drew inspiration from sci-fi movies. “I was watching a bunch of these films like The Thirteenth Floor, The Matrix (happy 20th anniversary) or Fifth Element, and I wanted the release to play on the idea of a desolate physical and social landscape becoming a utopia from a communal epiphany – or revolution”.
“I wanted to capture a more expansive, epic, sound.” he continues. “Following from the previous video for ‘Pale Blue Dot’, which centred around my parents. I named the 12” and track after my sister, Epiphany, and wanted it to be about her as much as a literal epiphany. The term feels like a step towards the bigger and expansive sound that I was going for, while naming something after my sister, who is one of my idols. I wanted the 12” to reflect a communal realisation, one that comes politically, or when you’ve escaped everything in the midst of the rave—hence the title of one of the tracks, ‘The Revolution’ too.”
The ‘Epiphany’ video builds on these sentiments as director Theo Nunn (Lisbon Studio) explains: “‘Epiphany’ guides the viewer on a breadcrumb trail to collective transcendence. Through our journey we follow the traces that chart the transformation of a culture, it’s abandoning of scientific conventional progress and the evolution of a musical enlightenment and psychedelic renaissance.”
Having graced stages at Coachella, Glastonbury and Sonar By Day so far this year, Ross from Friends returns to North America in September for shows in Brooklyn, Chicago, Austin, Portland, San Francisco and more. On his return to the UK he will embark on a month long DJ residency at London’s Phonox in October 2019.
“Epiphany” is out now on 12”/Digital via Brainfeeder.
Ross From Friends – Family Portrait
Label: Brainfeeder – BF071
Released: 27 Jul 2018
Style: House, Deep House, Lo-Fi, Tech House
Stuart Howard aka Lapalux surfaces with a limited edition ambient cassette on Brainfeeder, drawing inspiration from the journey through life, death and the afterlife, split into three movements “ABOVE”, “BETWEEN” and “BELOW”.
“The process of making the record lends itself to the idea of a never ending cycle and a slowly developing loop, much akin to the feeling of what it is to be alive, to die, and the afterlife” he explains. “In order to portray this cyclic feeling I used a 4 track tape recorder and a looping cassette tape which I recorded short musical ideas on to. I then played them back at varied speed and would record another loop on another track and repeat this cycle till the 4 channels of audio could harmonically shift and blend into one another. Then I would use the fader controls on my 4 track recorder, whilst playing the audio back, to fade in and out the individual parts that form each movement. This is all recorded live and in one take.”
Lapalux takes his stunning live show (based around a unique modular rack) to the US/Canada in December 2018. He closes the Asian leg of the tour at Cakeshop in Seoul tonight after visiting Taipei, Jakarta, Bangkok and Singapore.
Cassette / Digital
Asia/US/Canada tour dates:
09 Nov – Cakeshop, Seoul, South Korea
29 Nov – Adelaide Hall, Toronto, ON: https://ticketf.ly/2QkgNgH
30 Nov – Newspeak, Montreal, QC: http://bit.ly/2oXv32l
01 Dec – Elsewhere, Brooklyn, NY: http://bit.ly/2ScgF3x
04 Dec – Hodi’s Half Note, Ft Collins, CO: https://ticketf.ly/2QmIjKz
05 Dec – Cervantes Masterpiece Ballroom Otherside, Denver, CO: https://ticketf.ly/2O6rQs9
06 Dec – Deep Ellum, Dallas, TX: http://bit.ly/2QlwtjK
07 Dec – Rickshaw Stop, San Francisco, CA: https://ticketf.ly/2x9OUA7
08 Dec – Los Globos, Los Angeles, CA: http://bit.ly/lapaluxglobos
In 1990, when Felix (aka Ross From Friends) was just a twinkle in his father’s eye, his dad – having built up a sound system in the 1980s while playing at various squat parties around London (including the then derelict Roundhouse) – decided that he wanted to get out of the capital and see some of Europe. He got his hands on a bus and started putting word out through a network of like-minded friends and acquaintances. At the time just a friend of a friend, the trip caught the attention of Felix’s (future) mum, who offered to document the whole thing in return for a seat, and in 1990 they loaded up the sound system and hit the road. They travelled through France, Belgium, West and East Germany (though returning through a unified one) and beyond, setting up in towns to share their passion for the sounds of hi-NRG dance, Italo disco and proto-Techno through spontaneous parties in whatever venue they could find.
Ross From Friends will release his debut album “Family Portrait” next Friday 27 July via Brainfeeder. Watch the video of ‘Pale Blue Dot’ – a new track lifted from the album.
Having recently made his inaugural outing on Brainfeeder with “Aphelion EP”, British producer Ross From Friends aka Felix Clary Weatherall returns with his debut album on Flying Lotus’ label. “Family Portrait” is characterised by a perpetual desire to experiment and Felix’s obsessive attention to detail, somehow marrying an intricately layered production style with warm, heavily saturated sonics that elevate, rather than stifle, his melodious funk. With a handful of revered 12”s under his belt via Breaker Breaker, Lobster Theremin, Distant Hawaii, Magicwire and a 10” on Molten Jets. “Family Portrait” showcases his ability to shift and evolve, moving from the world of lo-fi to the world of FlyLo, he demonstrates a versatility exemplified by the ease in which he can switch between playing shows with Little Dragon, holding down a peak-time slot in Berghain’s Panorama Bar and performing live at Maida Vale for BBC Radio 1.
The culmination of almost two years of intense studio time, working 20 hour days, and often spending months perfecting just one aspect of a track. “I tried to be careful with every single sound” he explains, “Trying new things, making a bit more of an explosive sound”. The album also finds Felix recording his own voice for the first time, with the resulting tracks acting as snapshots of his personal life while recording. “Every time I went to make music the things which would really grab me are the emotional things, and while I’m in that place I felt I could really focus on the track. That was a massive part of this album, tapping into my emotions… into my emotional instability”.
The album title – “Family Portrait” – also nods to a very specific personal aspect of the record: the influence of his parents. Dance music has always been a feature in Felix’s life, with early memories of his dad producing music on his analogue set-up, or pumping out hi-NRG tracks on the turntable, he grew up discussing, sharing and learning about music from his dad. “My dad has been hugely influential to the whole thing,” he explains. However it was with the emergence of some old family VHS tapes, and the story of how Felix’s parents came to meet, that the true significance became clear.
Having built up a sound system in the 1980’s while playing at various squat parties around London (including the then derelict Roundhouse) Felix’s dad decided he wanted to get out of the capital and see some of Europe. He got his hands on a bus and started putting word out through a network of like-minded friends and acquaintances. At the time just a friend of a friend, the trip caught the attention of Felix’s mum-to-be, who offered to document the whole thing in return for a seat, and in 1990 they loaded up the sound system and hit the road. Travelling through France, Belgium, West and East Germany (though returning through a unified one) and beyond, setting up in towns to share their passion for the sounds of hi-NRG dance, Italo disco and proto-Techno through spontaneous parties in whatever venue they could find.
As integral to the Ross From Friends identity as the recorded music is the live show, the two having always existed in tandem. Enlisting the skills of two friends, John Dunk on sax and keys, and Jed Hampson on electric guitar, to build out his arrangements into a show which works as well on a festival stage as in a club. The band head out on a headline tour in September, with appearances at Primavera Sound, Field Day and Kala Festival this summer to name a few.
“Family Portrait” is released on vinyl, CD and digitally via Brainfeeder on 27th July 2018.
British producer Lapalux shares a brand new track – ‘4EVA (feat. Talvi)’ – via The FADER. Lifted from his forthcoming album “Ruinism” on Brainfeeder, the instrumental was born out of a jam session playing guitar, Korg Polysix and messing about looping a cassette, but it didn’t gel until Lapalux reached out to Talvi. “I’d been a fan of her band Prince Innocence for a while and loved her low slung, seemingly effortless style of singing,” says Lapalux. “As soon as I got the vocals from her it all fell into place and I rebuilt the whole song again to fit around them”.
“Ruinism” is released via Brainfeeder digitally on 30th June 2017 with vinyl and CD formats following on 28th July, including a superlative and strictly limited edition deluxe vinyl 2LP with gloss and emboss detailing produced in collaboration with Parisian atelier Imprimerie du Marais.
Today Lapalux shares a new track from his forthcoming third album for Brainfeeder – “Ruinism”. ’Flickering’ features vocals by Icelandic singer Jófríður Ákadóttir (JFDR) of the bands Gangly, Pascal Pinon and Samaris.
“Stu [Lapalux] and I got together in London when I had just run out the door in Iceland with my laptop and passport – and literally nothing else – so I was in a perfect state of chaos, freedom and exhaustion,” says Jófríður. “The tune came together quite quickly, the only rule I got from Stu was that it couldn’t be about ‘love’. I really like the result, it has a perfect balance of that melancholia-but-you-still-keep-on-going feeling.”
“Ruinism” is released worldwide on 30th June. Amongst the formats is a stunning deluxe blue vinyl 2LP package printed by the high end Parisian atelier Imprimerie du Marais. Listen back to Lapalux onWorldwide FM celebrating Synth Day (in honour of Bob Moog’s birthday) yesterday here.
Stream / pre-order: https://lapalux.lnk.to/flickering
Lapalux will release his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint on 30th June 2017. His previous long player, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between awake and sleep states. Throughout “Ruinism” the British producer takes this exploration further, journeying into the more ominous limbo between life and death. In this space where the finite and infinite intermingle, Lapalux sounds more at home than ever.
“‘Ruinism’ is a made-up term I use to describe the way in which blended sound palettes and inspirations interact with one another to form this album,” he explains. Using 100% hardware and real instruments for the first time in his career, he recorded synths and drum hits and re-sampled, re-pitched, twisted and blended the sound “until it was ‘ruined’” and then salvaged it again in an attempt to make something coherent.
Lead single ‘Rotted Arp (feat. Louisahhh)’ imbues this idea more aptly than any other track on the record according to Lapalux. “It sums up the whole idea of this record… having Louisahhh’s vocals made me think of this track as a much more meaningful piece and helped me push it further and further into a developed abstract dance track”.
Elsewhere on the album, the ethereal ‘Falling Down (feat. JFDR)’ communicates a near angelic sense of hope and possibility despite the inaudible nature of granulated vocals performed by Icelandic singer Jófríður Ákadóttir (JFDR) of the bands Gangly, Pascal Pinon and Samaris. Similarly, ‘4EVA (feat. Talvi)’, winds through a cloudy haze reminiscent of the space between life and death and remains there like a slowly dying pendulum. There’s a warm elevation across the female-driven tracks that, as it unfolds, stand in stark contrast to the industrial and often discordant beginning of the record, most noticeable on cuts like the menacing ‘Data Demon’ and chilling opener ‘Reverence’, which was inspired by French Dada artist Frances Picabia’s 1915 painting of the same name.
Recruiting Marielle Tepper as Creative Director on “Ruinism”, the physical formats include a superlative and strictly limited edition deluxe vinyl 2LP produced in collaboration with Parisian atelier Imprimerie du Marais. It’s available to pre-order now.
Lapalux will play a trio of album showcases in London, Paris and Berlin at the end of May.
Lapalux – “Ruinism” Live:
25 May Mick’s Garage, London – http://bit.ly/2oJcj4c
26 May Point Éphémère, Paris
27 May Gretchen, Berlin
2. Data Demon (feat. GABI)
3. Petty Passion
4. Rotted Arp (feat. Louisahhh)
5. Falling Down (feat. JFDR)
7. 4EVA (feat. Talvi)
8. Essex Is Burning
9. Flickering (feat. JFDR)
10. Running To Evaporate
11. Phase Violet