As premiered by XLR8R, Indian DJ and Producer Lukan unveils his Lo-Fi Bootleg of Bonobo’s ‘Break Apart’.
Made solely using analog gear, Lukan weaves a tapestry of raw, electronic elements around the body of the original release. Transforming the skeleton of the once soft record, into a late night anthem, Lukan showcases his ability to tap into the darker side of electronic music.
The rest of 2017 will continue to see Lukan spearhead India towards a true and unmatched, underground sound, as well as see him release a wealth of original material. Embracing white label tracks, vinyl only releases and paying less attention to Beatport charts and mainstream productions, Lukan is fast becoming a force to be reckoned with.
Having just completed immensely successful tours in Europe and North America in support of his latest acclaimed record Migration, Bonobo has announced a new 3-song EP, out digitally today, featuring an analog version of Migration favorite “Bambro Koyo Ganda,” which heavily features Moroccan by-way- of New York City band Innov Gnawa, and the completely new song “Samurai.” The analog version of “Bambro” strips away the dizzying house-tinged atmosphere in favor of an understated pulse and synthesizer arpeggiations, highlighting the hypnotic chanting and acoustic flavour of Innov Gnawa. Perhaps more than any other tune on the album, ‘Bambro’ sonically embodies what Migration is – a journey through cultural and locational displacement and the strange familiarity that inevitably surfaces out of transient life. “Samurai” is an ecstatic track that was conceived in the same sessions that produced Migration, anchored by a stuttering vocal sample that unspools into a glorious melodic line in classic Bonobo style.
STREAM: “Bambro Koyo Ganda (Analog Version)” feat. Innov Gnawa
Bonobo also previously shared a video for the original version of “Bambro Koyo Ganda” directed by Stylewar, which is available to watch HERE.
Bonobo also recently unveiled an innovative and immersive way to see and hear his album track “Outlier”. Released in collaboration with Horizons Studio for their app on Google’s Daydream platform, Horizons VR, users are sent flying through surreal landscapes and terrains, over mountains and deep into oceans, as you manipulate the music by directing flocks of birds with the Daydream controller and progressing through the various stages of the track via your own movements and actions. As well as the music being fully interactive, the visuals are also fully generated in real-time and malleable, allowing you to carve your path through mountain ranges, control the terrain’s height by simply changing your altitude, or slow down time below the surface of the sea.
Download the Horizons App to discover the “Outlier” Virtual Reality experience here.
Amidst the waves of praise Bonobo has received both for the release of his latest record Migration and the live tour he and his band have recently embarked on comes a video for the new single ‘Bambro Koyo Ganda’, an expansive track featuring vocals from Moroccan by-way-of New York City band Innov Gnawa. Perhaps more than any other tune on the album, ‘Bambro’ sonically embodies what Migration is – a journey through cultural and locational displacement and the strange familiarity that inevitably surfaces out of transient life. The single (a highlight of the live show) effortlessly weaves Moroccan styles into his signature dance music and culminates in a near-mystical experience as Innov Gnawa’s chants echo over a dizzying, house-driven groove that manages to mesmerize and relinquish in one fell swoop. The video, directed by Stylewar, depicts scenes from around the world that unfold in synchronicity with the track, with the pulse of the environment lining up perfectly, and subtly, with the song’s beat. It reflects the universality and singularity of the world seen through the eyes of a traveller; no matter the disparate location there is a common rhythm.
As Migration was born out of an itinerant phase in Bonobo’s life– a time that saw him touring around his last album The North Borders for nearly three years fixed to no address– it’s only fitting the Migration World Tour is the sort of pinnacle and completion of his journey and one that’s received exuberant praise from all circles. Bonobo and his band will tour through the remainder of the year, with a headline slot at Wilderness Festival, dates at Fuji Rock and Manchester International Festival and a run of new European headline dates just announced, among others. The live show is an event not to be missed and the record, which peaked at #1 on the iTunes Electronic Album charts in over 50 territories and landed within the Top 5 on the main UK album charts, has proved itself to be a touchstone for both Bonobo’s career and to an audience in search of a place to land.
Quote from the Director Stylewar on the video:
“The music of Bonobo is incredibly rich and colorful. It feels as if it was inspired by the indescribable beauty of the natural world. I wanted the video to have an equally inspired and colourful feeling. The world is full of music and rhythm — look carefully and it’s everywhere you go. It’s at the core of our wonderful planet, and I wanted the video to celebrate that fact.”
“The video is a vast collection of material, including some footage shot specifically for this video as well as existing footage from around the world. Then, through the magic of editing, we endeavored to make every movement in the video correspond to the movement of the music, whether to its rhythm or to the very notes themselves. If you look closely, you should notice that the smallest details have been tweaked to sync the music to the movement. Like the music of Bonobo, it celebrates the rhythmic beauty of our world.”
Original track taken from the new album Humanz, out April 28. Pre-order / stream here: http://gorill.az/humanz
Last Friday saw Bonobo release his sixth studio album and one of his most personal works to date– Migration– an exquisitely delicate record that explores the relationship between transience and identity and one that has already received droves of praise from audiences and critics alike. Migration currently sits in the Top 4 in the official UK album midweek chart (reflected in 8 other countries). It has already secured a top 5 position in over 20 countries overall on iTunes and claimed #1 in their Electronic iTunes chart in 8 territories including the UK and US. Additionally, the album’s first two singles have had over 10 million Spotify streams to date. Reception from the press has been overwhelmingly positive, with reviews and features in from such lauded publications as The Guardian, Pitchfork, and The Wall Street Journal (not to mention a Mixmag cover feature), among many others.
Building on the record’s success comes the music video for recent single ‘No Reason’, featuring vocals by longtime friend and now collaborator Nick Murphy (formerly Chet Faker). Oscar Hudson (Pulse Films), the UK Music Video Awards’ ‘Best New Director’ winner, is the maestro behind the video’s bizarre trip. More akin to that of an art piece than a music video, the work takes subtle cues from such iconic films as ‘Alice in Wonderland’ & ‘Birdman’ as its character grows larger inside a Japanese house whose items shrink and expand through time. The video fits neatly into the albums themes of the transitory relationships to place and time, seen with Art Director Neil Krug’s distorted realties in the Mojave Desert for the art and “Break Apart” video and also Bison’s work on the Gemma Arterton featuring visuals for “Kerala”.
The music video was filmed entirely in real life, in-camera with no post work or VFX, to which the end result is an effortlessly fluid and visually mesmerizing experience.
Oscar Hudson said the following of the video…
“‘No Reason’ is such an evocative track and it was clear from the start that our video would need to reflect this potency. Simon/Bonobo mentioned the inspiration behind the new album came from his relationship to landscape and place whilst on tour. Whilst researching these themes I learnt about the Japanese phenomenon of the Hikikomori- young Japanese people who become so overwhelmed by the pressures of life that they retreat to their bedrooms for years at a time. This felt like a such a fascinating intersection of physical & psychological spaces, and so from this I set out to make a film that through an inventive physical concept tried to link environment directly to psychology. We achieved the film using only in-camera physical effects and we designed an entirely new way of moving our miniature camera to get it to fit through the tiny doorways. Doing this film with CGI would have been a thousand times easier, but for me, it’s physicality & imperfections are what make it different, and I hope better.”
After two recent singles showcasing the dynamic range of “Migration”, Bonobo returns with a song that perhaps exemplifies the record. ‘No Reason’ (premiered via NPR) features the vocals of Bonobo’s long time friend, and now collaborator, Nick Murphy (formerly Chet Faker) ‘No Reason’ is dance music at its deepest, a beautiful house song with fragile melodies underpinned by a tough-edged groove and razor-sharp arpeggio. The song came about when Simon Green (AKA Bonobo) and Nick were discussing a shared love of disco. Si played the instrumental of No Reason, and Nick instantly fell in love with it. After laying down demo vocals in that first session, the pair recorded the final version in NYC, Si’s former home, and Nick’s current one.
Migration, which is out this Friday, 13th January, has already yielded two songs to a rapturous reception. ‘Kerala’, which premiered via Pitchfork, hit #1 on the Spotify Global Viral Chart with over a million streams in its first week, and now over 4 .5 million total. The official video became the 4th most trending on YouTube. Next came ‘Break Apart’ featuring Rhye, which Vogue.com premiered alongside Spotify, who placed the track at the head of their New Indie Mix playlist. A hypnotic, drone-shot video by Neil Krug was unveiled by Creative Review (who have also gone deep on the album artwork today).
Teasers / Ghost Versions for album tracks ‘Second Sun’, ‘Ontario’, ‘Figures’, ‘Bambro Koyo Ganda’ and ‘Surface’ featuring Nicole Miglis of Hundred Waters have been made public over previous weeks.
In addition, Bonobo’s forthcoming live band show at Brixton Academy sold out in seconds, so quickly that another date was added and that too immediately sold out, as did every other UK date and many EU ones. The Bonobo band will play a twenty two date American tour in Spring, including a slot at the legendary Red Rocks Arena in Colorado (a co-headline with Nick Murphy) and dates at Coachella.
His 2013 album “The North Borders” went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support of that record, the 12-piece band Green fronts played 175 shows worldwide to over two million fans, including a sold out show at Alexandra Palace. Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man.
The signs are all there: “Migration” will take Bonobo’s beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.
Manchester-based electronic producer OLSEN has shared a club-edit of Bonobo’s 2016 track ‘Kerala’ which you can check out and download for free here:
Creating beautifully crafted, melodic and soulful electronic music since 2012, OLSEN gained a significant following after releasing his debut LP, Totoro, via Super Recordings (Randomer, Raffertie, Bondax, Honne) and also through his Manchester residency, playing alongside the likes of Floating Points, Levon Vincent and Jeremy Underground.
OLSEN is currently gearing up for 2017 with a set of new recordings on the horizon along with future edits and remixes in the pipeline.
Simon Green AKA Bonobo presents “Break Apart” featuring Rhye, the second track taken from his sixth album, Migration.
It’s a song which, in its very conception, illustrates the transitory nature of the album and also shows how deftly broad Bonobo’s dynamics are as a composer. The chord sequence to “Break Apart” (premiered in conjunction with Spotify & Vogue) was sketched out by Green on a flight, Michael Milosh (AKA Rhye) then recorded the verses in Berlin, horns were added in London, then Green did the final mix in his own LA studio. Over a harp device, Bonobo builds a shuffling, emotional drumbeat, those aforementioned horns, piano and bass, over which Rhye delivers a stand-out vocal performance—achingly sweet, full of longing, perfectly understated. It’s extremely beautiful and one of the highlights of an album full of highlights.
Rhye has said of the song:
“I’m so happy Simon asked me to work on this song with him. From the moment I heard the instrumental track it spoke to me more than I can express in words. Being able to work with an artist that continuously makes me envious, like Simon, is where I always want to be.”
The recent release of the single “Kerala” (which premiered via Pitchfork) has been rapturously received. It was #1 on the Spotify Global Viral Chart with over a million streams in its first week and the official video became the 4th most trending on YouTube. In addition, Bonobo’s forthcoming live band show at Brixton Academy sold out in seconds, so quickly that another date was added and that too immediately sold out, a pattern seen across many of the dates of his world tour.
His 2013 album The North Borders went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support of that record, the 12-piece band Green fronts played 175 shows worldwide to over two million fans, including a sold out show at Alexandra Palace. Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over 150 million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man.
The signs are all there: Migration, which also features Nick Murphy (FKA Chet Faker), Nicole Miglis of Hundred Waters and Moroccan band Innov Gnawa, will take Bonobo’s beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.
New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s “The North Borders”), it’s really something to get excited about. The masterful, magisterial “Migration” is Green’s sixth album and it’s a record which cements his place in the very highest echelons of electronic music and beyond.
Lead track ‘Kerala’ was the first track Green recorded for the new record, putting together a rough version of it on the tour bus while DJing across the States in 2014. It’s both a classic piece of Bonobo music and a development, all arpeggiated, twisted, layered strings and shuffling dancefloor rhythm. The music gradually builds until his introduction of a sample from RnB singer Brandy, itself cut up and dealt with as a further texture, with the whole sitting in a sweet spot of uplifting euphoria that he’s so adept at finding. The hypnotic video, has been directed by Bison (Jon Hopkins/London Grammar/ Rosie Lowe). It compliments the shuffling arpeggios and beats perfectly by creating staggered loop effects where the lead Gemma Arterton (Quantum of Solace/Inside No. 9) battles through a mysterious, distorted reality with a meteor flying overhead.
In particular, there is a theme on the upcoming album of migration, eruditely put by Green as “The study of people and spaces,” he expands, “It’s interesting how one person will take an influence from one part of the world and move with that influence and affect another part of the world. Over time, the identities of places evolve.”
Indeed there is a “transitory nature” to the album, not only through its themes, but also through its guests and found sounds. Michael Milosh, from the LA group Rhye, for instance, is originally from Canada and recorded his affecting vocal on ‘Break Apart’ in a hotel room in Berlin. Green, meanwhile built the structure of the track during a transatlantic flight. Nick Murphy (formerly known as Chet Faker), on the other hand, is from Australia, but a shared love of disco brought the pair together for the hugely emotive ‘No Reason’. Nicole Miglis of Hundred Waters, originally from Florida, delivers a superbly understated vocal for the glistening textures of ‘Surface’, while Moroccan band Innov Gnawa, based in New York, provide the vocals, on ‘Bambro Koyo Ganda’. Additionally, Green has used a sampler (“but not in a big boomer, wearing a cagoule kind of way.”) and woven found sounds such as an elevator in Hong Kong airport, rain in Seattle, a tumble dryer in Atlanta and a fan boat engine in New Orleans into his intricate sonics.
Bonobo’s DJ shows cannot be underestimated in importance to the overall feel of “Migration”, his much loved Output DJ residencies in New York and his global ‘Outlier’ club curated series were where he road-tested tracks. The landscape of his new home in California has provided the artwork of the record, designed by Neil Krug (Boards of Canada/Lana Del Rey). All the desert locations pictured “are close to where I now live,” Green explains. “Part of the writing process was to drive up to these places and live with the tracks as I was making them. This was a new part of the world to me, where the landscape is quite alien and Martian.” The album cover art has been gradually appearing in London and Los Angeles as giant murals.
A contemporary of artists such as Four Tet, Jon Hopkins and Caribou, Bonobo also counts among his famous fans the likes of Wiz Khalifa, Skrillex, Disclosure, Diplo and Warpaint. His 2013 album “The North Borders” went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support of that record, the 12-piece band Green runs played 175 shows worldwide, including a sold out show at Alexandra Palace. Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man.
It might be difficult to imagine it, but “Migration” will take his beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.
Formats: Deluxe 2LP / 2LP / CD / Digital
2. Break Apart (feat. Rhye)
5. Second Sun
6. Surface (feat. Nicole Miglis)
7. Bambro Koyo Ganda (feat. Innov Gnawa)
10. No Reason (feat. Nick Murphy)
11. 7th Sevens
Bonobo will be taking his band out on the road once again on the following dates (tickets/info here)
With rumors of a new album in 2016 setting the internet alight, electronic powerhouse Bonobo drops a treat for fans in the shape of an exclusive, deluxe physical edition of a much-loved remix.
Featured regularly in the fired-up DJ sets he’s been playing across the globe, Bonobo’s take on French jazz legend Henri Texier’s ‘Les La-Bas’ is jazz-tinged house at its most compulsive. The track will be made available for the first time for Record Store Day 2016, in a beautiful heavyweight 12” edition designed by Grammy-Nominated artist Leif Podhajsky, and featuring a pattern created by raised varnish studs. The b-side features Texier’s original track, first released by the double-bass virtuoso and Don Cherry collaborator in 1977.