Category Archives: video
ZULU is young dream pop band from Germany who creates a mixture of indie melancholy, soothing vocals, spherical guitars and meticulous electronics, which seems to evoke thoughts about the year 20XX. The lead single „Hidden People“ of ZULU’s debut album „analogue heart // digital brain“ (release date: 23/03/18) is out now.
Monophonics are back with a six-song EP that fuses the complimentary and explosive soul, rock and funk influences, proving themselves to be the rightful inheritors of the Bay Area’s impressive psychedelic soul sound. Mirrors is comprised entirely of cover tunes, except that I doubt you’ve ever heard of half the deeply funky and soulful originals that inspired these soulful, tastefully produced, and timeless Monophonics treatments. “We wanted to do a couple songs that were more familiar to people and then shine some light on groups we’re big into,” lead singer, keyboardist and co-producer Kelly Finnigan explains. It takes a lot of guts to cover your favorite songs, your van jams, that song you play as a shot of inspiration to break-up a marathon studio session. “Not only are these great songs, but these are artists that we listen to and are influenced by.”
“It’s not about making records that sound old, it’s about making records that sound cool,” Kelly says. Not that he and the other five members of Monophonics mind if you confuse their albums for classic-era recordings. Even musician friends regularly mistake a sweaty and greasy Monophonics original for an unheard Bar-Kays’ side, or a deep soul cover tune might pass for an original to a novice ear, except that Kelly makes sure to give credit where credit is due, which is what they do explicitly on this EP, Mirrors.
Even the familiar tunes, iconic, better said, receive a fresh treatment as instrumentals, despite their ubiquity as vocal songs. The EP opens with a ‘tip of the cap’ to The Main Ingredient’s version of “Summer Breeze” before the band unfolds a hazy, mellow-funk opus worthy of inclusion on a Bob James CTI album. The next four songs, all featuring vocals, range from the lowrider soul ballad, a cover of the The Invicibles’ “My Heart Cries” (video: https://youtu.be/PG107nMMCeo0) with a pleading and plaintive vocal by Nicole Smith, to the psychedelic blues stomp, “Lying,” originally by the archetypical psychedelic soul band nearly signed to Motown, Black Merda. Add in Kelly’s monster vocal take on Frankie Valli and the Four Seasons Northern Soul classic, “Beggin” (to be released as a 7” single with an instrumental version on the b-side), and the deep-funk pop-soul of Nu People’s “I’d be Nowhere Without You” with back-up vocals by Jeanine Jones and Veronica Johnson, and you have a highly-entertaining, toe-tapping, backbone-slipping, masterclass in deep funk and soul.
The final tune is the band’s singular take on the Mamas and the Papas hippie standard, “California Dreaming,” as an explicit and heartfelt tribute to their fans in Greece. The discerning music lovers of Greece fell in love with Monophonics after their 2012 hit “Bang Bang” resulting in multiple tours of the Mediterranean, where these native Californians imbibed on the fine ouzo, good vibes, and Grecian hospitality. Gifted a prized bouzouki (a traditional Greek guitar) by a local fan, Monophonics’ guitarist Ian McDonald and band infused this classic pop song with a soulful cinematic air and Mediterranean flavor, evoking a tune from an imagined Fellini film with a soundtrack by David Axelrod.
Catch the band on the road this Spring to hear some of these songs, favorites and new tunes from their forthcoming LP.
JB Dunckel from AIR will release his new album H+ on March 16. H+ is now available for pre-order and includes first single “Hold On” which lush and futuristic video directed by French creative studio Akatre.
Dunckel is back in the guise of an augmented man with H+, an exceptionally futuristic and optimistic, contemporary sound odyssey. A little over ten years after his first solo album, Darkel(2006) — and following his 2013 collaboration with Lou Hayter (Tomorrow’s World) and 2015 album with Barði Jóhannsson, Starwalker — H+ sets the tone with an album cover by French design studio Akatre depicting the artist in a utopian landscape.
H+ represents a positively charged hydrogen ion, known as a proton; it is also the symbol of transhumanism. Indeed, after having alternated solo albums (using his Darkel alias) with Air projects, “in order,” said Dunckel, “to avoid being soluble in Air, for Air was white and Darkel is, well, dark,” he set his sights on recapturing the entirety of his being. “I use the sound experiences of Air; I just extend my Air sound in a solo setting. I don’t renounce the past, in fact I exploit it quite openly,” the artist recently explained. Though the success of Air continues unabated, with frequent tours, the duo hasn’t produced any new music in five years.
Scoring film soundtracks — Fabrice Gobert’s K.O. (2017), Olivier Babinet’s Swagger, and Alanté Kavaïté’s Summer (both from 2015) — apparently confirmed Dunckel’s exponential taste for loads of violins and improvisation in the studio. Many of his songs are based on the barest of piano melodies, and a vocal style that is smoother and freer than ever. Years of singing on tour with Air strengthened his voice; it now has a deeper range and tone, while remaining androgynous. With his favorite synthesizers, the MS20 and the Arp 2600, JB Dunckel spent a lot of time honing this album aboard his private spaceship, a way of thumbing his nose at the wave of dystopias that make mincemeat of all our hopes and dreams, by creating a future in which “romantic transhumanism” reigns, “man never ages, and love is eternal.”