Category Archives: stream
In alphabetical order..
|&ME, Rampa, Adam Port – Send Return|
|Aesop Rock & Blockhead – Garbology|
|Andy Stott – Never the Right Time|
|Anthony Naples – Chameleon|
|Aparde – Alliance|
|BAILE – After All This Time|
|Bicep – Isles|
|Brimstone Vein – Brimstone|
|Burial & Blackdown – Shock Of Power Of Love|
|DARKSIDE – Spiral|
|DJ Seinfeld – Mirrors|
|GHEIST – Zukunft|
|Glüme – The Internet|
|Godford – I YOU SHE|
|Grandbrothers – All The Unknown|
|Holy Other – Lieve|
|Jacques Greene – Anth01|
|Jaffna – Odyssey|
|James Blake – Friends That Break Your Heart|
|Joakim – Second Nature|
|Jonas Saalbach – Headlights|
|Joon – Dream Again|
|Joy Orbison – Still Slipping Vol. 1|
|Jungle – Loving In Stereo|
|Kedr Livanskiy – Liminal Soul|
|Leaving Laurel – Leaving Laurel|
|Leon Vynehall – Rare, Forever|
|Little Simz – Sometimes I Might Be Introvert|
|Lone – Always Inside Your Head|
|Luttrell – Music For My Memories|
|Madlib – Sound Ancestors|
|Matthew Herbert – Musca|
|Moby – Reprise|
|Model Man – Model Man|
|Moderator – Midnight Madness|
|Modeselektor – EXTLP|
|Monolink – Under Darkening Skies|
|Olga Kouklaki – Dusty Diamond|
|Pan Pan – Fantasmagoria 2|
|Parra for Cuva – Juno|
|Pavlos Pavlidis – To Mavro Kouti|
|Rival Consoles – Overflow|
|Ross From Friends – Tread|
|SAYCET – Layers|
|Sissi Rada – Nano Diamond|
|Sons of Kemet – Black to the Future|
|The Bug – Fire|
|The Ghost of Helags – We Came From The Stars|
|The Limiñanas, Laurent Garnier – De Película|
|UNKLE – Rōnin I|
Berlin pairing Yeah But No return to Distant Echos with The Shadow Self II. Terr and Echonomist feature as remixers on this installment and the release marks the second addition of The Shadow Self series, fresh from the success of part one in October.
The pair described what each track represents, stating: “Going Down is a political statement towards everybody out there that sees his / her rights of self-determination. We take up the cudgels for all the people fighting for their elementary rights. Veneer symbolises a close friend, who I watched spiral downwards into the dark black. It is incredibly difficult to watch someone slip further and further, until you no longer recognise them.”
Going Down starts with stirringly-beautiful vocals, opening neatly into gentle key chimes that leave us feeling euphoric and pensive in one. Terr soon raises the tempo, curating six minutes of pumping electronica before Veneer takes us to a place of serenity. Chords unfurl into a poignant lyrical offering, as Echonomist’s remix soon arrives with melodic undertones and whirring synth combos.
Originally consisting of Douglas Greed and Fabian Kuss, Yeah But No is now the collaborative project of Fabian Kuss alongside AEON founder Alex Niggemann. Influenced by hypnotic techno and great pop music, the duo are carving out a haunting sound that is perfectly evidenced in their latest production series: The Shadow Self. From their eponymous debut album in 2017, to the success of their second LP two years later, Demons, this new series sets them up for a highlight 2021 that has seen the likes of Dixon, Mind Against and Adriatique support part one already this year.
Musician, producer and DJ Bonobo (aka Simon Green) has today shared another new preview of his forthcoming album ‘Fragments’ (January 14th). Listen to ‘Otomo’ featuring O’Flynn here.
‘Otomo’ is a dynamic single and builds to one of the hardest and most hip-shaking grooves that Green has ever put on tape. It was created by Green in his Los Angeles studio as the US was opening up from lockdown and captures that “light at the end of the tunnel” sense of return. O’Flynn co-produced the single, turning Green’s sample of a Bulgarian choir – called 100 Kaba-Gaidi – into a dramatic breakdown and beat drop. The process of the song coming together also helped to remind Green of the sense of dancefloor abandon and surging crowds that he had so crucially missed.
Green said on the release:
“‘Otomo’ began with a sample of a Bulgarian choir. Melodically it was working well but needed a dynamic shift. I asked my friend O’Fllynn for input. He sent it back with a dance floor ready drum section. It’s one of my favorites from the album. I’ve been playing it all year in my dj sets, there’s already a huge response and a feeling of immediate familiarity”
O’Flynn said of the release:
“Simon messaged me last year with a track he was working on and asked for some feedback. I took a punt and asked for the stems to try some ideas on. The tune had this big choir sample and chords in – I went to work trying to contrast that choir with something much harder to try and change the context, using the choir and chords as this kind of relief to this big percussive 808 drop. Luckily Simon liked what I did and we developed the tune from there.
To be approached by Simon for feedback in the first place caught me off guard. He has delivered some of my favourite music over the years and was one of my main influences growing up – but I just had to immediately push that to one side and get to work. I knew it was one thing to be asked for feedback, but to be part of the track would just be very special. So I had this driving force and pressure to come up with something that could take the idea in a new direction and hit the high bar Simon sets with all his productions.”
“Fragments” also features Joji, Kadhja Bonet, Jordan Rakei and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fuelled by both collaboration and Green’s escape into the wild.
Bonobo’s set to embark on a world tour in 2022, headlining three nights at Royal Albert Hall on top of other UK dates in May.
Greek electronic music legend Lena Platonos returns to Dark Entries with Balancers, an LP of previously unreleased material recorded between 1982-1985. Athens-based Platonos has worked with the label previously to reissue her three solo LPs – Gallop, Sun Masks, and Lepidoptera – as well as to release three accompanying 12” EPs featuring modern remixes of her work. She is renowned for her forays into cutting-edge electronic experimentation as well as her striking, impressionistic poetry and lyrics, always recited in Greek.
The twelve tracks on Balancers reveal a murkier side of Lena, one draped in tenebrous washes and oneiric utterances. Ragged analog rhythms feature on several tracks, even breaking into a brooding electro groove on “A Cat in the Corner”, but the predominant tone is sparse and somber. Mournful instrumental “Phaethon” swells to mythological proportions, while “In September” feels small enough to fit in your pocket. Lena’s poetry sits amidst lush pads and Radiophonic Workshop-esque squiggles, her voice setting an intimate tone in the shifting electronic sea. Inspiration is drawn from Greek mythology and architecture, and lyrics evoke a soft sorrow, an ambivalence towards love, life, and the passage of time. Although the material here spans 3 years and features a range of recording fidelities and synthesis techniques, the collection possesses the heft of a singular artist’s vision.
Balancers was remastered by George Horn at Fantasy Studios. Eloise Leigh designed the sleeve, which features a doubled Lena in washed-out burgundy hues, channeling the femininity and mystery of the album. Also included is an insert with lyrics in both Greek and English.
On November 19th Gomma records’ new offshoot imprint Kryptox presents ‘Nanodiamond’ – the enchanting album by Athenian harpist, singer, electronic alchemist and star-in-waiting Sissi Rada. It features co-production by Brian Eno and Andi Toma of Mouse on Mars, with guest vocals from cult Greek heroine Lena Platonos.
Abstract and experimental but not difficult, instead the record is a friendly good trip, like a strage but pleasant dream, or an endorphin-fuelled flight through the cosmos. This treasure trove of glowing Aegean beauty entices listeners to luxuriate in its balmy georgeousness, where rich vocals reverberate inside sparkling, jewel-encrusted grottos of sound.
Although standout and singular, Rada’s unclassifiable leftfield songs bring to mind the likes of Kate Bush, Van Dyke Parks, ‘Kid A’ era Radiohead, Katie Gately and Georgia’s ‘All Kind Music’. Atmospherically, there’s a kinship with Coil, Karen Gwyer and Deux Filles, whilst her magical harp draws contemporary links to Mary Lattimore and Brandee Younger, plus historical nods to Dorothy Ashby and Alice Coltrane.
In addition to making weird-and-wonderful works such as this, Sissi is also one of the best classical harpists in Europe. She is a member of the New York Times endorsed Teodor Currentzis’ musicAeterna orchestra, and frequently collaborates with the Berlin Philharmonic and the Deutsche Oper Berlin.
Sissi combines skills in writing that only musicians with huge knowledge and compositional ability have, with an intuitive approach to electronics that’s creative, but not technically advanced. She incorporates lo-fi, noisy textures, random samples and raw sound design, which, when combined with her voice and instrument, merge and become sumptuous.
The melodic, harmonic and sonic concepts of ‘Nanodiamond’ are routed in an impressionistic heritage which is a favorite of her’s (and many of the great Russian classical composers too). Like impressionist paintings, this is based on eschewing exactitude, and instead using unconventional techniques to capture a feeling.
Rada met Brian Eno while both were working in Paris for the world premiere of Ilya Khrzhanovsky’s ambitious film / installation project, ‘DAU’. They ended up performing together at a late-night impromptu show, involving Eno and members of Orchestra MusicAeterna, at Théâtre de la Ville. He liked what Sissi did and invited her to his studio. Their collaboration on album track ‘81948 (2000 OM69)’ “just happened”, when she began improvising on one of his keyboards.
Sissi was born in Athens, studied in Amsterdam and Berlin (at Universität der Künste), and has since lived in Berlin, where she met Andi Thoma in the city’s fertile underground scene.
A1) ‘Karaburun Peninsula’ A2) ‘Athena’ A3) ‘Nanodiamond’A4) ‘Maps’ featuring Lena Platonos (produced by Andi Toma) A5) ‘Ichthys’ A6) ‘Pyrametron’ A7) ‘Debris’B1) ‘Too La’ B2) ‘Φ ‘B3) ‘81948 (2000 OM69)’ (produced by Brian Eno) B4) ‘Blueblack Tomb’ (produced by Andi Toma) B5) ‘Sorrow’ B6) ‘Elegierig’
“Home and dry” was never a massive hit for Pet Shop Boys. It’s a “misunderstood” love ballad with beautiful chords and a chorus that will stick in your head and will sing it in the shower. Well… here’s my trance remix to add a bit of club sexiness sound to it. Enjoy it as much as I did creating it 🙂Utimono
Free download : https://hypeddit.com/track/ka6dso
‘If You Say The Word’ is taken from ‘KID A MNESIA’ out 5th November via XL Recordings. Pre-order ‘KID A MNESIA’ here: https://radiohead.ffm.to/kid-a-mnesia
Since 2006, listeners have been curious about the origin of our label name Italians Do It Better. Some say it’s an homage to Italo Disco, others guess it’s related to ancestry, but in fact it’s a nod to the iconic T-shirt Madonna wears in the “Papa Don’t Preach” video circa 1986.
Fast forward to a world pandemic last year… To encourage creativity & lift spirits, Italians Do It Better President, Megan Louise asked every artist “If you could cover your favorite Madonna song…What would it be?”
As a tribute to their label muse & the impact Madonna’s music has had on the world around us, Italians Do It Better are sharing a compilation of covers simply titled “Italians Do It Better” on Madonna’s birthday, August 16, 2021. One of the tracks (“Lucky Star” by Club Intl) is even produced by Max Kamins, the son of Mark Kamins, the New York DJ who helped break Madonna in the early 1980’s. From the experience he says “Dance music was the soundtrack of my early childhood. Working on “Lucky Star” reconnected me not only to my father, but also reminded me that a good song is timeless”.
Executive produced by Johnny Jewel, the compilation is a passport to 20 covers from the bedrooms of 19 artists across 10 different countries.
Get into the groove…
Listen here on Spotify:
Listen via other streaming services here:https://idib.ffm.to/italians-do-it-better
1. Joon – Papa Don’t Preach
2. Desire – Angel
3. Sally Shapiro – Holiday
4. Dlina Volny – Hollywood
5. Farah – Gang Bang
6. MOTHERMARY – Like A Virgin
7. Club Intl – Lucky Star
8. Love Object – Frozen
9. Orion – Into The Groove
10. Number One Popstar – Hung Up
11. Double Mixte – La Isla Bonita
12. Juno Francis – Beautiful Stranger
13. Glüme – Material Girl
14. In Mirrors – Addicted To Your Love
15. Causeway – Crazy For You
16. Jorja Chalmers – Justify My Love
17. MOTHERMARY – Like A Prayer
18. Pink Gloves – What It Feels Like For A Girl
19. Lou Rebecca – Burning Up
20. Bark Bark Disco – Borderline
Lone shares new single ‘Mouth Of God’, taken from forthcoming album ‘Always Inside Your Head’.
Whereas ‘Hidden By Horizons’ – the first single to be released from Lone’s forthcoming album – explored the influence of Cocteau Twins and My Bloody Valentine in collaboration with vocalist Morgane Diet, on ‘Mouth Of God’ Lone is back in solo mode, making music for the club. ‘Mouth Of God’ marks a shift in energy at a crucial point in the album, kicking things up several gears with a tearing electro-breakbeat-acid monster. But, like all music from Lone, it also tugs at your heartstrings, with his trademark lush pads and halcyon synth lines.
Lone’s new album, ‘Always Inside Your Head’ released 22nd October on vinyl, CD, download & stream, via Greco-Roman