Category Archives: stream
The world of Ghost In The Shell naturally echoes with a synthesis of automated sounds, industrialized textures and cyberpunk artistry. Johnny Jewel’s composition “The Hacker” begins with portentous ticking punctuated by electronic swells as it rises towards a cinematic break that’s as stunning as it is scintillating. The track which appears on Music Inspired By The Motion Picture Ghost In The Shell [Paramount Pictures via Kobalt Music Recordings]–due out on March 31–is now available with the album’s pre-order at: https://ghostintheshell.lnk.to/album
Listen to Johnny Jewel’s “The Hacker” now here:
From the pages of the original 1989 Japanese manga by iconic Masamune Shirow to the 2017 Paramount Pictures, DreamWorks Pictures and Reliance Entertainment’s big screen adaptation of Ghost in the Shell starring Scarlett Johansson as its heroine, this immortal tale seamlessly lends itself to the ebb and flow of electronic music. The complete track listing for Music Inspired By The Motion Picture Ghost In The Shell is:
01) Kenji Kawai- “Utai IV Reawakening” (Steve Aoki remix)
02) Johnny Jewel – “The Hacker”
03) Boys Noize – “Cathryn’s Peak”
04) DJ Shadow ft. Nils Frahm – “Scars”
05) Above & Beyond – “Surge”
06) IO Echo – “Aokigahara Forest” (Album Only)
07) Tricky – “Escape”
08) Ki: Theory – “Enjoy The Silence” (Album Only)
09) Johnny Jewel – “Free Fall”
10) Gary Numan – “Bed Of Thorns”
11) Johnny Jewel – “The Key”
12) Kenji Kawai- “Utai IV Reawakening”
Gorillaz will release their highly-anticipated new album, ‘Humanz’, on April 28 via Parlophone. A six-minute Jamie Hewlett-directed animated film, featuring four Humanz tracks – ‘Saturnz Barz’ (in full), and part of ‘Ascension’, ‘Andromeda’ and ‘We Got The Power’ – is now available to watch below:
There are people who thought Actress, otherwise known as Darren Cunningham, to friends as DAZ, had retired. They were a bit premature. He’s ready instead to return with a new album, now on Ninja Tune and a new music system called “AZD” (pronounced “Azid”), a chrome reflected journey into a parallel world. And to prepare you for what lies ahead here’s the album’s lead track, ‘X22RME’ (pronounced “Extreme”) which elegantly plays between the lines of Oriental classic rave and Balinese warehouse Techno machined in a Rotherhithe lock up welding the grooves into a seamless cracked joint. Read an interview via Dazed now…
“I did fifty versions of the tune” Cunningham recalls. “Different parts were on tape, CD, different old computers and USB sticks, so it was quite intimidating to revisit and complete. The track was in the end built out of 3 hours of different passages”. The finished work is harsh and beautiful all at once, its incredible complexity never overwhelming its drive.
An artist who has always preferred to make music than to talk about it, in “AZD” he has achieved another remarkable landmark, one which is as resistant to interpretation as it is demanding of it. ‘X22RME’ is a key note example of the influence the Black artists James Hampton and Rammellzee had on the creation of the album – men who created art through “Sourcing castaway materials from their environment and reinterpreting them into absolute majesty given from the fourth dimension”.
As if the record itself isn’t enough, Cunningham is preparing a new show, to be debuted at Convergence, Village Underground on March 24th. Presented as AZD, Cunningham says it “will be a test frame for linking circuits using various forms of language — Midi globalised language, Lyrical language, Tikal Graffiti code and various other Synthesiser language — to create one intelligent musical instrument called AZD, if successful it will produce the first translucent, non-soluble communication sound pill synergised through impressionistic interpretations of technological equipment. This is the music vitamin of the Metropolis”.
The simplest you could say about “AZD” is that it’s art – the unique creation of a unique mind. There will be few more distinctive, brilliant or visionary suites of music released in 2017. Call him what you will, this is the year that Darren ‘Daz’ Cunningham – aka Actress, aka AZD – asserts more clearly than ever before his complete independence.
Watch the Dan Emmerson directed video now. “This quote from Darren was an inspiration, it’s also about the language of communication and interpretation: ‘translucent ambience coming from an incognito slightly on the edge but eternally fixed paradigm’.
2. UNTITLED 7
4. BLUE WINDOW
8. FALLING RIZLAS
9. DANCING IN THE SMOKE
10. FAURE IN CHROME
11. THERE’S AN ANGEL IN THE SHOWER
Cosmic synths and twinkling atmospherics, Joe Goddard’s remix of Busy P’s latest offering ‘Genie’ is an addictive injection of extra texture and faster tempos. Premiered via Notion, the remix is the second to come in the series following closely behind the experimental delights of Reckonwrong and proceeding what promises to be a bonafide floor-filler from KDA.
Almost 2 years after his last release on the label with ‘Gipsy Life’, ‘Genie’ marks Busy P’s 6th release on and return to Ed Banger records. Recorded between Threesome Studio in Paris and Mayer’s studio in LA, the groove laden and infectious love song sees Busy P partners up with long-time friend, Mayer Hawthorne.
Genie feat. Mayer Hawthorne is out now.
Leon Of Athens has released his new song ‘Aeroplane’, the first single proper to be taken from his forthcoming album produced by David Kosten (Bat For Lashes, Everything Everything) due out later this year.
Alongside the new single, the highly acclaimed Greek indie-pop experimentalist has announced a seven-date UK headline tour. It kicks off at The Lexington, London on March 17th and finishes on April 1st at Newcastle’s Jumpin’ Jacks, calling at major cities in-between.
‘Aeroplane’ leads with solemn guitars and a sole kick drum, unveiling images reminiscent of an indie road movie. While the verses create conflicting emotions around love in the digital age, the song breaks into an uplifting, chiming chorus, becoming a hopeful ode to modern day love and its unpredictable highs and lows.
The new single follows the recent reveal of ‘Xenos’, also taken from the new album. ‘Xenos’ is a powerful politically themed song, with dark creeping electronics and stark guitars.
Leon has been inspired by life within a country that has been facing many challenges during recent years. His music has become a huge draw in his home country where he has played to audiences of thousands, and has become highly championed overseas gaining praise from the likes of The Guardian, NME, Q, New York Times and more.
Leon Of Athens’ captivating and beautiful new music will become an even more moving force live this month. Full UK tour dates are below:
LEON OF ATHENS UK LIVE DATES
17/03 – London, The Lexington
27/03 – Brighton, Latest Bar
28/03 – Sheffield, Rocking Chair
29/03 – Bristol, Thunderbolt
30/03 – Manchester, The Castle
31/03 – Liverpool, Zanzibar
01/04 – Newcastle, Jumpin Jacks
Dimitris Papadatos is a multi-instrumentalist and producer who just released his sophomore album “Ganja” as KU. His songwriting practice is mainly based on improvisational techniques and oblique strategies and the lyrics are based on his – yet unpublished, poetry.
Since KU’s 2013 debut “Feathers”, many things have changed. Proxima-b was discovered, the socio-economical state in Greece started falling apart, a snowstorm brought a hurricane, the seas became tombs, watching a concert became life threatening and his other projects Jay Glass Dubs and The Hydra started taking off, gaining international acclaim. Inside this turmoil and with an aftermath of changes in his personal life taking the lead, he decided it was time for all the material laying dormant in his demos to take shape into a second album.
Spiraling from the throbbing force of “A Happening” to the shuttered melancholy of “Cypriol”, “Ganja” is an album of departures and arrivals, a faint signature of a life past and the decision for a new one. The album’s lyrics are the main objective. Holding strong position on matters such as power, love, ambition and depression, it underlines the addiction that may come to all of the above separately and simultaneously. The words are to make “Ganja” a severe read-through of the artist’s psyche transformed in its duration in front of the listener’s own ears.
Like the plant that gave the album its name, the music in “Ganja” is a beneficial parasite, a strong symbiotic and a deja-vu of emotions, smells, melodies and orchestrations, indefinable yet so specific. The instrumentation is deliberately as elemental as possible, emphasizing on the essence of sound. Space guitars, Battiato-ian moogs, persuasive percussion and hummed protoelectronics juxtaposed with acoustic fragility, choral grandiose and white reggae moods reveal a process that is never militant towards one direction.
Recorded live in its larger amount, with the talent, musicianship and knowledge of his long time collaborators Baby Guru in their Marginalia Studio and produced by the band’s Prins Obi and King Elephant as well as KU himself, in Mondays between May and June 2015, “Ganja” is a personal story sung and played between friends who fight, love, decide and forget each other but never unknow what brings them together. That sacramental moment when everything is in sync and the words and sounds float freely and fill up the room like smoke from a dried out herb.
Music and lyrics by KU. Additional music by Baby Guru. Produced by King Elephant, Prins Obi and KU.
01 A Happening
04 Dry Dates
05 Spring Elevator
06 Olympic Complex
07 Oolong “SoundCloud Radio edit”
“Spectators of the Universe” is the new album from Dutch producer/artist/video director David Douglas released via Atomnation Records. Following on from 2014’s “Moon Observations”, Douglas continues to perfect his interstellar sound, taking the listener on a polyrhythmic, technicolour journey through melodic, sun kissed disco and electronic music.
Inspired by the astrological writings of his 18th Century namesake (an explorer and Naturalist) he creates waves of celestial melodies, intertwining them perfectly with crisp, driving beats, swerving through the cosmos, leaving a shower of arpeggiated synths and hypnotic vocals in his wake.
From the sun-kissed disco of album opener ‘Lucine,’ to the groove-laden beats of “Highway of Love,” the album constantly shifts forms. Playing with psychedelic and experimental elements and weaving organic textures alongside more robotic landscapes, highlights include swirling supernova “Pay No Mind” and here, the ominous yet uplifting doomsday anthem, “Last Day On Earth”
Having previously worked as a renowned video director, Douglas switched his attention to music in 2012, and has since gained a reputation as one of the most expressive and all- encompassing electronica producers around. Both his 2012 “Royal Horticultural Society” EP and his debut album “Moon Observations” were warmly received, gathering support from the likes of Pitchfork, i-D Mag, Electronic Beats, THUMP and XLR8R. 2017 sees him continuing to push the boundaries of his music, and captivate crowds around the globe with his incredible live show (including performances at PITCH Festival, Best Kept Secret and Into The Woods) in which he utilises a wealth of analogue equipment, including his prized Roland Space Echo, which played a vital part in the creation of his signature sound.
Ejeca aka Garry McCartney is one of Belfast’s best musical exports in recent years from the growing scene in Northern Ireland. His down-to-earth attitude has allowed him to gain recognition from his musical peers and with constant solid releases it’s always been music first, hype later.
His ‘Dizorn’ EP marks another triumphant return to Sasha’s Last Night On Earth imprint. The thoughtful three-tracker, including a remix from Budakid, drops today, Friday 17th March on LNOE.
Feist will release a new album, entitled Pleasure, on April 28th via Interscope Records. The album is available for pre-order today from all participating digital retailers. Those who pre-order will receive an instant download of the album’s title track. Listen to “Pleasure” HERE:
Feist’s first album in six years reflects on secrets and shame, loneliness and tenderness, care and fatigue and is at its core a study on self-awareness . As the fourth full-length from the Canadian singer/songwriter born Leslie Feist, Pleasure builds off the warm naturalism of the Polaris Prize-winning Metals and emerges as her most formally defiant and expansive work so far. And while each album is a departure from the next, Pleasure finds the four-time Grammy Award nominee again showing the extraordinary depth of her artistry.
Recorded over the course of three months—in Stinson Beach, Upstate New York, and Paris — Pleasure was co-produced by Feist with longtime collaborators Renaud Letang and Mocky. In addition to reaffirming Feist as a cagily inventive guitar player, the album threads her shape-shifting and often haunting vocals into sparse and raw arrangements.
In 2004 Feist made her U.S. debut with Let It Die (featuring “Mushaboom”) which won the Juno Award for Best Alternative Rock Album, and garnered major critical acclaim. Her 2007 follow-up The Reminder debuted in the Top 20 in the U.S. and was hailed by The Village Voice as a “great batch of simple, precisely arranged love songs — expertly produced, delectably sung.” The single “1234” boosted the album’s sales to more than a million units internationally. Also including lead single “My Moon My Man,” The Reminder won Feist the 2007 Shortlist Music Prize (making her only the second woman to ever win the award).
After a several-year hiatus — during which she co-created Look At What The Light Did Now, a documentary about the making of The Reminder and her subsequent tour — Feist returned with Metals in 2011. Metals was her highest charting album, debuting at #9 on Billboard. It was named Album of the Year by the New York Times and won the Polaris Prize and four more Juno Awards. To date, Feist’s music has sold over three million units worldwide and amassed more than 500 million streams.
2. I Wish I Didn’t Miss You
3. Get Not High,Get Not Low
4. Lost Dreams
5. Any Party
6. A Man Is Not His Song
7. The Wind
9. Baby Be Simple
10. I’m Not Running Away
11. Young Up