New track featuring myself on vocals.
Hope you like it. Even comes with a video with me in front of 64 par 64’s.
James Blake has released a stunning video for ‘My Willing Heart’, a highlight from 2016’s acclaimed third album The Colour In Anything. He has also confirmed a run of live dates across the summer, including those in support of Radiohead.
Starring a heavily-pregnant Natalie Portman, ‘My Willing Heart’ was directed by Anna Rose Holmer and filmed in Los Angeles. Centring around Portman in and out of water, the visuals shift the emphasis of the track’s lyrics from lovelorn romanticism to maternal anticipation with subtle monochrome images, blended together with soft-focus textures.
Released with little to no prior warning, The Colour In Anything featured diverse contributions from Bon Iver, Frank Ocean, Rick Rubin and Quentin Blake (whose illustrations formed the album’s instantly-iconic artwork). In support of the record, James headlined London’s Field Day, Green Man Festival, Glastonbury’s West Holts stage and played a succession of instantly sold-out shows on both sides of the Atlantic (including London’s Village Underground, Brixton Academy and Hammersmith Apollo). His vocal and production presence is unmistakable across 2016’s other seminal records, from Beyonce’s Grammy-winning Lemonade to Frank Ocean’s Endless and Blond LPs.
The Colour In Anything continues the remarkable rise of James Blake: a Mercury-Award-winning, Brit Award and Grammy-nominated singer, songwriter and producer, whose touch can be felt throughout the modern musical landscape. He is currently working on new material.
Joe Goddard’s ‘Home’ Video from ‘Electric Lines’, the debut solo album out April 21, 2017. Directed and animated by Pete Fowler.
There are people who thought Actress, otherwise known as Darren Cunningham, to friends as DAZ, had retired. They were a bit premature. He’s ready instead to return with a new album, now on Ninja Tune and a new music system called “AZD” (pronounced “Azid”), a chrome reflected journey into a parallel world. And to prepare you for what lies ahead here’s the album’s lead track, ‘X22RME’ (pronounced “Extreme”) which elegantly plays between the lines of Oriental classic rave and Balinese warehouse Techno machined in a Rotherhithe lock up welding the grooves into a seamless cracked joint. Read an interview via Dazed now…
“I did fifty versions of the tune” Cunningham recalls. “Different parts were on tape, CD, different old computers and USB sticks, so it was quite intimidating to revisit and complete. The track was in the end built out of 3 hours of different passages”. The finished work is harsh and beautiful all at once, its incredible complexity never overwhelming its drive.
An artist who has always preferred to make music than to talk about it, in “AZD” he has achieved another remarkable landmark, one which is as resistant to interpretation as it is demanding of it. ‘X22RME’ is a key note example of the influence the Black artists James Hampton and Rammellzee had on the creation of the album – men who created art through “Sourcing castaway materials from their environment and reinterpreting them into absolute majesty given from the fourth dimension”.
As if the record itself isn’t enough, Cunningham is preparing a new show, to be debuted at Convergence, Village Underground on March 24th. Presented as AZD, Cunningham says it “will be a test frame for linking circuits using various forms of language — Midi globalised language, Lyrical language, Tikal Graffiti code and various other Synthesiser language — to create one intelligent musical instrument called AZD, if successful it will produce the first translucent, non-soluble communication sound pill synergised through impressionistic interpretations of technological equipment. This is the music vitamin of the Metropolis”.
The simplest you could say about “AZD” is that it’s art – the unique creation of a unique mind. There will be few more distinctive, brilliant or visionary suites of music released in 2017. Call him what you will, this is the year that Darren ‘Daz’ Cunningham – aka Actress, aka AZD – asserts more clearly than ever before his complete independence.
Watch the Dan Emmerson directed video now. “This quote from Darren was an inspiration, it’s also about the language of communication and interpretation: ‘translucent ambience coming from an incognito slightly on the edge but eternally fixed paradigm’.
2. UNTITLED 7
4. BLUE WINDOW
8. FALLING RIZLAS
9. DANCING IN THE SMOKE
10. FAURE IN CHROME
11. THERE’S AN ANGEL IN THE SHOWER
Taken from the new album Arca, out April 7 on XL Recordings. http://x-l.co/arca
Conceived by Jesse Kanda and Alejandro Ghersi
Cosmic synths and twinkling atmospherics, Joe Goddard’s remix of Busy P’s latest offering ‘Genie’ is an addictive injection of extra texture and faster tempos. Premiered via Notion, the remix is the second to come in the series following closely behind the experimental delights of Reckonwrong and proceeding what promises to be a bonafide floor-filler from KDA.
Almost 2 years after his last release on the label with ‘Gipsy Life’, ‘Genie’ marks Busy P’s 6th release on and return to Ed Banger records. Recorded between Threesome Studio in Paris and Mayer’s studio in LA, the groove laden and infectious love song sees Busy P partners up with long-time friend, Mayer Hawthorne.
Genie feat. Mayer Hawthorne is out now.
Leon Of Athens has released his new song ‘Aeroplane’, the first single proper to be taken from his forthcoming album produced by David Kosten (Bat For Lashes, Everything Everything) due out later this year.
Alongside the new single, the highly acclaimed Greek indie-pop experimentalist has announced a seven-date UK headline tour. It kicks off at The Lexington, London on March 17th and finishes on April 1st at Newcastle’s Jumpin’ Jacks, calling at major cities in-between.
‘Aeroplane’ leads with solemn guitars and a sole kick drum, unveiling images reminiscent of an indie road movie. While the verses create conflicting emotions around love in the digital age, the song breaks into an uplifting, chiming chorus, becoming a hopeful ode to modern day love and its unpredictable highs and lows.
The new single follows the recent reveal of ‘Xenos’, also taken from the new album. ‘Xenos’ is a powerful politically themed song, with dark creeping electronics and stark guitars.
Leon has been inspired by life within a country that has been facing many challenges during recent years. His music has become a huge draw in his home country where he has played to audiences of thousands, and has become highly championed overseas gaining praise from the likes of The Guardian, NME, Q, New York Times and more.
Leon Of Athens’ captivating and beautiful new music will become an even more moving force live this month. Full UK tour dates are below:
LEON OF ATHENS UK LIVE DATES
17/03 – London, The Lexington
27/03 – Brighton, Latest Bar
28/03 – Sheffield, Rocking Chair
29/03 – Bristol, Thunderbolt
30/03 – Manchester, The Castle
31/03 – Liverpool, Zanzibar
01/04 – Newcastle, Jumpin Jacks
Dimitris Papadatos is a multi-instrumentalist and producer who just released his sophomore album “Ganja” as KU. His songwriting practice is mainly based on improvisational techniques and oblique strategies and the lyrics are based on his – yet unpublished, poetry.
Since KU’s 2013 debut “Feathers”, many things have changed. Proxima-b was discovered, the socio-economical state in Greece started falling apart, a snowstorm brought a hurricane, the seas became tombs, watching a concert became life threatening and his other projects Jay Glass Dubs and The Hydra started taking off, gaining international acclaim. Inside this turmoil and with an aftermath of changes in his personal life taking the lead, he decided it was time for all the material laying dormant in his demos to take shape into a second album.
Spiraling from the throbbing force of “A Happening” to the shuttered melancholy of “Cypriol”, “Ganja” is an album of departures and arrivals, a faint signature of a life past and the decision for a new one. The album’s lyrics are the main objective. Holding strong position on matters such as power, love, ambition and depression, it underlines the addiction that may come to all of the above separately and simultaneously. The words are to make “Ganja” a severe read-through of the artist’s psyche transformed in its duration in front of the listener’s own ears.
Like the plant that gave the album its name, the music in “Ganja” is a beneficial parasite, a strong symbiotic and a deja-vu of emotions, smells, melodies and orchestrations, indefinable yet so specific. The instrumentation is deliberately as elemental as possible, emphasizing on the essence of sound. Space guitars, Battiato-ian moogs, persuasive percussion and hummed protoelectronics juxtaposed with acoustic fragility, choral grandiose and white reggae moods reveal a process that is never militant towards one direction.
Recorded live in its larger amount, with the talent, musicianship and knowledge of his long time collaborators Baby Guru in their Marginalia Studio and produced by the band’s Prins Obi and King Elephant as well as KU himself, in Mondays between May and June 2015, “Ganja” is a personal story sung and played between friends who fight, love, decide and forget each other but never unknow what brings them together. That sacramental moment when everything is in sync and the words and sounds float freely and fill up the room like smoke from a dried out herb.
Music and lyrics by KU. Additional music by Baby Guru. Produced by King Elephant, Prins Obi and KU.
01 A Happening
04 Dry Dates
05 Spring Elevator
06 Olympic Complex
07 Oolong “SoundCloud Radio edit”
“Spectators of the Universe” is the new album from Dutch producer/artist/video director David Douglas released via Atomnation Records. Following on from 2014’s “Moon Observations”, Douglas continues to perfect his interstellar sound, taking the listener on a polyrhythmic, technicolour journey through melodic, sun kissed disco and electronic music.
Inspired by the astrological writings of his 18th Century namesake (an explorer and Naturalist) he creates waves of celestial melodies, intertwining them perfectly with crisp, driving beats, swerving through the cosmos, leaving a shower of arpeggiated synths and hypnotic vocals in his wake.
From the sun-kissed disco of album opener ‘Lucine,’ to the groove-laden beats of “Highway of Love,” the album constantly shifts forms. Playing with psychedelic and experimental elements and weaving organic textures alongside more robotic landscapes, highlights include swirling supernova “Pay No Mind” and here, the ominous yet uplifting doomsday anthem, “Last Day On Earth”
Having previously worked as a renowned video director, Douglas switched his attention to music in 2012, and has since gained a reputation as one of the most expressive and all- encompassing electronica producers around. Both his 2012 “Royal Horticultural Society” EP and his debut album “Moon Observations” were warmly received, gathering support from the likes of Pitchfork, i-D Mag, Electronic Beats, THUMP and XLR8R. 2017 sees him continuing to push the boundaries of his music, and captivate crowds around the globe with his incredible live show (including performances at PITCH Festival, Best Kept Secret and Into The Woods) in which he utilises a wealth of analogue equipment, including his prized Roland Space Echo, which played a vital part in the creation of his signature sound.